I know this melody as the cartoon snakecharmer song. Here’s a kid playing it on bass clarinet:
I’ve always wondered where the Egyptian melody came from. It turns out to be hundreds of years of old, and goes by many different names. You can find an excellent capsule history of it in William Benzon’s book Beethoven’s Anvil. The context is a discussion of a Louis Armstrong recording from 1928 called “Tight Like This.” Listen at 2:04 as Louis quotes the “Egyptian” melody and varies it a few times.
Benzon knows the Egyptian melody from childhood. He quotes different sets of lyrics, such as:
All the girls in France do the hokey pokey dance,
and the way they shake is enough to kill a snake
On the planet Mars all the women smoke cigars.
Every puff they take is enough to kill a snake.
When the snake is dead they put flowers on its head.
When the flowers die they say 1969!
The tune has been known in America as the “hookie-kookie dance” or the “hoochie-coochie dance.” It came to fame when it accompanied a belly dancer at the 1893 Chicago World’s Columbian Exposition, and afterwards it became something of a hit. The melody was copyrighted under various names early in the 20th century, including “Dance Of The Midway,” “Coochi-Coochi Polka” and “The Streets Of Cairo.” (Thank you, Eunji Choi, for pointing me to this last tune’s Wikipedia page.)
The Egyptian melody appears in the widely-studied Arban’s Complete Conservatory Method For Trumpet from 1864, under the title “Arabian Song.” Arban almost certainly didn’t write it; it’s one of many “representative ethnic songs” in the book learned from the folk tradition. The tune is related to an Arabic or Algerian melody called “Kradoutja” that had been circulating around France since the 1600s. Who knows if the tune in Arban’s book is an actual middle eastern folk song, or a European mutation of “Kradoutja,” or what.
The Egyptian melody also gets quoted a lot in performances of “Sheik of Araby,” for example as performed here by the Beatles for their unsuccessful Decca audition in 1962.
Steve Martin uses the melody at the beginning of “King Tut.” (no embedding.)
They Might Be Giants use the tune in “Istanbul” for the line “Even old New York was once New Amsterdam.”
A more recent quotation — “Who’s That? Brooown!” by Das Racist: