I wrote a general post about what makes a hot beat hot. As a followup, here’s how to program some generic patterns and a few famous breakbeats. The basic unit of dance music is a sequence of sixteen eighth notes, two measures of four-four time. Drum machines like the Roland TR-808 represent the sixteen eighth notes as an ice cube tray with sixteen slots, with a row for each percussion sound.
Software like Reason and Fruityloops have drum machine emulators that follow the look and feel of the 808. The loop cycles from slot number one across to the right. When it gets to slot sixteen it jumps back to one.
Here’s how you’d count the basic loop. Above is the standard music notation method of counting two bars of four-four time. Below is the drum machine representation, with the eighth notes numbered one through sixteen.
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 |
The key to the patterns below:
- bd = bass drum or kick drum
- sn = snare drum
- hh = closed hi-hat
- oh = open hi-hat
- rd = ride cymbal
- – is an empty slot
Genre boilerplate
Generic rock
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd -- bd -- -- -- bd -- bd -- bd -- -- -- bd -- | | -- -- -- -- sn -- -- -- -- -- -- -- sn -- -- -- | | hh -- hh -- hh -- hh -- hh -- hh -- hh -- hh -- |
Generic hip-hop
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd -- -- -- -- -- -- bd -- -- bd -- -- -- bd -- | | -- -- -- -- sn -- -- -- -- -- -- -- sn -- -- -- | | hh -- hh -- hh -- hh -- hh -- hh -- hh -- hh -- |
Generic techno/house/dance “four on the floor”
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd -- -- -- bd -- -- -- bd -- -- -- bd -- -- -- | | -- -- -- -- sn -- -- -- -- -- -- -- sn -- -- -- | | -- -- hh -- -- -- hh -- -- -- hh -- -- -- hh -- |
Some famous breakbeats
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd -- bd -- -- -- bd -- -- -- bd -- -- bd -- -- | | -- -- -- -- sn -- -- sn -- sn -- sn sn -- -- sn | | hh hh hh hh hh hh hh -- hh hh hh hh hh -- hh hh | | -- -- -- -- -- -- -- oh -- -- -- -- -- oh -- -- |
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd -- -- -- -- -- -- bd bd -- -- -- -- -- bd -- | | -- -- -- -- sn -- -- -- -- -- -- -- sn -- -- -- | | hh -- hh -- hh -- hh hh hh -- -- -- hh -- hh -- | | -- -- -- -- -- -- -- -- -- -- oh -- -- -- -- -- |
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd bd -- -- -- -- -- bd -- -- bd bd -- -- -- -- | | -- -- -- -- sn -- -- -- -- -- -- -- sn -- -- -- | | oh -- oh -- oh -- oh -- oh -- oh -- oh -- oh -- |
| 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + | | 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 | | bd -- -- -- -- -- -- -- bd -- bd -- -- -- -- -- | | -- -- -- -- sn -- -- sn -- -- -- -- sn -- -- sn | | rd -- rd -- rd -- rd -- rd -- rd -- rd -- rd -- |
Notice that all these beats have a kick on the downbeat of the first measure. When P-Funk sings that everything is on the one, this is what they mean. Notice also that all of these beats have loud snare hits on beat three of each measure. This beat is called the backbeat, and it’s the defining sound of American dance music across every genre.
Hip-hop styles usually leave the kick drum off the downbeat of the second measure, slot 9 on the drum machine. Instead, hip-hop beatmakers anticipate the second downbeat by placing the kick in slot 7 or 8. Sometimes they delay it by putting it in slot 10 or 11. Sometimes they omit it altogether.
The odd-numbered beats are called strong beats, and the even-numbered ones are weak beats. Putting drum hits on the weak beats is called syncopation, and syncopation makes things sound hip. Experiment, and use your ears.
If you have requests for more breakbeat transcriptions, hit me in the comments. Happy programming!
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