I have been teaching songwriting for a lot of years as a means to other ends: with my private guitar and production students, with my music tech students, with my music education students, with my music theory students. But this semester at The New School, I get to teach my first actual songwriting class whose …
Tag Archives: Wayne Marshall
Lonely Woman but it’s Gregorian chant
This morning I saw this tweet: Lonely Woman but it's Gregorian chant — wayne&wax (@wayneandwax) October 30, 2020 I read it and thought, huh, that’s interesting. So I opened an Ableton session and put “Lonely Woman” by Ornette Coleman on a track. I have a few Hildegard von Bingen pieces in my iTunes, and I …
An intro to remixes
One of the most significant developments in the past fifty years of popular music is the idea of using existing recordings as raw material for new musical expression. The remix began as a way to make dance versions of pop songs, but it has evolved into an entire new art medium unto itself.
Donna Lee
Here’s a Charlie Parker recording that’s not widely known outside of jazz, but is absolutely foundational inside it: This recording features a very young Miles Davis on trumpet. Miles later said that he wrote the tune, and that its copyright attribution to Charlie Parker was a record label error. I believe him. It sounds more …
Reflections on teaching Ableton Live, part two
In my first post in this series, I briefly touched on the problem of option paralysis facing all electronic musicians, especially the ones who are just getting started. In this post, I’ll talk more about pedagogical strategies for keeping beginners from being overwhelmed by the infinite possibilities of sampling and synthesis. This is part of …
Continue reading “Reflections on teaching Ableton Live, part two”
Mashups as micro-mixtapes
Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …