Dorian mode is such a cool scale. It evokes medieval chant and the blues. Its characteristic minor sixth chord is almost a diminished chord. And it’s unique among the diatonic modes for being symmetrical, meaning that it uses the same sequence of intervals going up and down. When you write Dorian on the chromatic circle, …
Tag Archives: Tito Puente
Oye Como Va
Santana’s recording of “Oye Como Va” is one of the most outrageous grooves I’ve ever heard. David Welna describes it as “a Cuban cha-cha composed by a Puerto Rican New Yorker and performed by a Mexican immigrant and his San Francisco rock band.” It’s red-hot from its opening seconds. As the organ starts the montuno, …
Swing primer
“It don’t mean a thing if it ain’t got that swing, doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah doo-wah” – Duke Ellington Hear a seamless collage of several varieties of swing: Music Theory Songs by Ethan Hein Aside from the blues, swing is the United States’ most significant musical innovation. People typically associate its rubbery, …
Donna Lee
Here’s a Charlie Parker recording that’s not widely known outside of jazz, but is absolutely foundational inside it: This recording features a very young Miles Davis on trumpet. Miles later said that he wrote the tune, and that its copyright attribution to Charlie Parker was a record label error. I believe him. It sounds more …
Intro to minor keys
Minor keys are way more complicated than major keys. But the effort is worth it; all that complexity gives a richer array of expressive possibility. The best place to start with minor keys, paradoxically, is with the major scale modes. The pitches in E-flat major are the same as the ones in C natural minor. …