This summer, I’m teaching Cultural Significance of Rap and Rock at Montclair State University. It’s my first time teaching it, and it’s also the first time anyone has taught it completely online. The course is cross-listed under music and African-American studies. Here’s a draft of my syllabus, omitting details of the grading and such. I welcome your questions, comments …
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See also an explanation of how Auto-Tune works When we talk about Auto-Tune, we’re talking about two different things. There’s the intended use, which is to subtly correct pitch problems (and not just with vocalists; it’s extremely useful for horns and strings.) The ubiquity of pitch correction in the studio should be no great mystery; …
Continue reading “Why is there so much Auto-Tune on everything?”
Okay, so we’ve all firmly established that he’s not exactly a model of decorum. President Obama called him a jackass. Even before he disrupted the MTV awards, a lot of my friends disliked him intensely. This dislike crosses racial, class and gender boundaries. And yet, I like Kanye’s music better than just about anything that …
Continue reading “In spite of everything, I still listen to Kanye West all the time”
See a followup post about female remixes of “A Milli” Lil Wayne and I have some differences of style and taste: about facial tattoos, about drinking cough syrup recreationally, about jewelry on one’s teeth. But we agree about music. He brags constantly that he’s the best rapper alive. I think he makes a pretty good …
