Computers have revolutionized the composition, production and recording of music. However, they have not yet revolutionized music education. While a great deal of educational software exists, it mostly follows traditional teaching paradigms, offering ear training, flash cards and the like. Meanwhile, nearly all popular music is produced in part or in whole with software, yet [...]
Filed in Interfaces, Music, Music Teaching, Software, Technology
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Also tagged algorithmic composition, classical, Composition, computers, dance, dj, figure, garageband, guitar, Hardware, hip-hop, Improvisation, interfaces, ipad, keybs, logic, looping, midi, morton subotnick, Music, music teaching, nyu, pro tools, propellerhead, reason, skeuomorphism, Software, visualization
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For my final project in Advanced Audio Production at NYU, I created a 5.1 surround remix of the Beatles’ “Here Comes The Sun.” You can download it here. If you don’t have surround playback, you can listen to the stereo version: I was motivated to create a surround remix of a Beatles song by hearing [...]
Filed in Composition, Copyright and Authorship, Music, Recording, Software
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Also tagged ableton, beatles, danger mouse, dreaming, electronica, film theory, mixing, Music, nyu, paul geluso, pro tools, Recording, remixes, rock, surround sound
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Tuesday, October 30, 2012
For Paul Geluso’s Advanced Audio Production midterm, we were assigned to choose two tracks from his recommended listening list, and compare and contrast them sonically. I chose “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, both tracks nevertheless share a similar [...]
Filed in Copyright and Authorship, Key Musicians, Music, Recording, Sampling
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Also tagged brian eno, dance, david byrne, digging the crates, eighties, electronica, funk, mixing, Music, nineties, nyu, paul geluso, production, Recording, Sampling, the orb
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As I contemplate my masters thesis, I’m looking for good examples of beginner-centric musical user interface design. Propellerhead’s new Figure app has been a source of inspiration for me. It’s mostly wonderful, and even its design flaws are instructive. I have a long history with Propellerhead’s software, beginning with Rebirth in 1998. I’ve made a [...]
Filed in Composition, Interfaces, Music Teaching, Software
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Also tagged beginners, design, drumming, electronica, figure, graphics, hipsters, interfaces, ios, linkedin, music teaching, propellerhead, reason, rebirth, retro, skeuomorphism, touch, visualization
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There’s no music I love more in the world than Duke Ellington’s. When I was a kid, the New York Transit Museum had a commercial in heavy rotation on local TV that used “Take The A Train” and I remember being riveted by it. I should point out that Billy Strayhorn wrote this tune, not [...]
Filed in Music
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Also tagged andy jaffe, billy strayhorn, charles mingus, duke ellington, jazz, john steinbeck, max roach, nyc, remixes, soundcloud, subway, tchaikovsky
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Let Us In Revival Revival vs Nirvana mp3 download, ipod format download Vocals and guitar by Barbara. Additional guitar, controller synth, 808 programming and sampling by me. Contains some salty language. This continues our recent push into mostly original rock material about Barbara’s complex romantic life. The sample comes from one of my favorite Nirvana [...]
One of the funkiest albums ever recorded is The Clones Of Dr Funkenstein by Parliament. Even if you never listen to it, you’ll get funkier just by looking at the cover. There’s much to love about this album beyond its joyously ridiculous science fiction theme. There are the deft, bebop-flavored horn charts by James Brown’s [...]
Filed in Key Musicians, Music, Sampling
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Also tagged bernie worrell, digging the crates, eighties, funk, hip-hop, keybs, moog, nice and smooth, parliament, royksopp, Sampling, seventies, talking heads
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Friday, February 26, 2010
The vast majority of music that I hear is recorded, and if you’re reading this the same is probably true of you. Most people don’t have a clear idea what the recording process is like, especially using computers. Here are my adventures in recording. I grew up in the eighties. Cassette recorders were just starting [...]
Filed in Autobio, Composition, Hardware, Improvisation, Music, Recording, Software
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Also tagged analog, audio, audio editing, autotune, computers, electronica, hip-hop, Improvisation, looping, mashups, Music, pro tools, Recording, remixes, revival revival, Sampling, sequencing, tape, tape editing, visualization
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Thursday, February 11, 2010
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s [...]
Filed in Autobio, Music, Race and Identity
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Also tagged acoustic, alicia keys, authenticity, autotune, bebop, big chill, bill monroe, bluegrass, blues, electronica, Emotion, harmonica, herbie hancock, howlin wolf, jay-z, jazz, john coltrane, judaica, klezmer, led zeppelin, lipsynching, michael jackson, motown, nyc, purists, rnb, Sampling, soul, thelonious monk
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Tuesday, January 26, 2010
Here’s a live rendition of Imogen Heap’s song “Hide And Seek.”
Filed in Hardware, Improvisation, Music, Recording
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Also tagged authenticity, autotune, brian eno, electronica, harmony, imogen heap, Improvisation, interface, keybs, midi, Music, pop, remixes, Sampling
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