Music Matters chapter three

This post is public-facing note taking on Music Matters by David Elliott and Marissa Silverman for my Philosophy of Music Education class. This chapter goes after the big questions: What is music and why does it exist? I love chewing over this stuff.

Debating the morals of the mashup

Recently, I was on Connecticut Public Radio’s Colin McEnroe show, talking about the culture and history of the mashup. I gave my usual enthusiastic endorsement of the practice. My friend Jesse Selengut, an ace jazz trumpet player and all-around music master, had some responses.

Originality in Digital Music

This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it …

Why has the human brain evolved so much more than any other animals?

The human brain isn’t “more” evolved. It’s just differently evolved. Our intelligence has its obvious advantages, but it carries some significant costs. Like Joshua Engel says, the big brain is metabolically expensive. It makes childbirth much harder for humans than for other mammals, too. Human babies have to be effectively born prematurely in order to …

What goes on neurologically when a song gets stuck in your head?

The phenomenon of annoyingly persistent earworms is a great introduction to the meme theory: the idea that songs (and all other forms of cultural expression) are self-replicating informational “viruses” that use the mind as their host, the way DNA viruses use living cells and software viruses use computers. The best overview of this theory is …

Samples and community

The defining musical experience of my lifetime is hearing familiar samples in unfamiliar contexts. For me, the experience is usually a thrill. For a lot of people, the experience makes them angry. Using recognizable samples necessarily means having an emotional conversation with everyone who already has an attachment to the original recording. Music is about …

The natural history of the Funky Drummer break

“The Funky Drummer Parts One And Two” by James Brown and the JBs is one of the most-sampled recordings in history. But even though the track is a cornerstone of hip-hop and other sample-based electronic music, for the first decade after its release, it was an obscurity. It’s not as catchy as James Brown’s big …

No one has ever written an original song

Sampling, remixing and mashups make some people angry. A lot of people think that repurposing existing ideas is bad, that it’s lazy, or a form of stealing. We value originality highly. Should we? My own experience of music making is that there are no original ideas. There are novel combinations of old ideas, but it’s …