Identifying tritone substitutions

This is one of those jazz theory ideas that gets explained endlessly online and in texts and is relatively rare in a typical American’s listening experience. But when you do hear it, it does sound cool. I made an interactive explainer on Noteflight, because as with so many jazz theory concepts, tritone substitutions make more …

Identifying pentatonic scales

It’s pentatonic scales week in aural skills class. This would seem to be the easiest thing on the syllabus, but I discovered while doing listening exercises with the students that even these simple scales have their subtleties. Major Pentatonic You can understand the C major pentatonic scale to be the C major scale without scale …

Identifying added-note chords

My NYU aural skills students are working on chord identification. My last post talked about seventh chords; this post is about chords with more notes in them, or at least, different notes. My theory colleagues call them added-note chords. They are more commonly called jazz chords, though many of the examples I list below are …

Rap before hip-hop

For the hip-hop unit in the Song Factory class at the New School, I want to start things off by clarifying the difference between hip-hop and rap. People use these terms interchangeably, but they really describe two different things: hip-hop is a culture, and rap is a musical expression of that culture. But rapping is …

Don’t You Worry ‘Bout A Thing

Every ten years it occurs to me to learn this tune, and then I come up against the fact that it’s in E-flat minor, I get discouraged, and I give up. Well, not this time! This time I decided to take the coward’s way out: I put the tune in Ableton and transposed it up …

She’s Leaving Home

My kids are totally obsessed with the Beatles right now, much to my ongoing delight, so I’m learning how to play more of their songs. Brad Mehldau motivated me to take a look at “She’s Leaving Home”, which I learned about a thousand years ago on guitar and haven’t thought about in a while. It’s …

The Ghostbusters theme song

It’s Halloween, and that means that everyone is scrambling to find seasonal music beyond Michael Jackson’s “Thriller.” In the pharmacy this morning, I heard “Ghostbusters” by Ray Parker Jr, and remembered that it’s an absolute banger. This is one of a long list of songs that I loved as a kid, became embarrassed by as a …

Take Me To The River

See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …

The whole tone scale

Like diminished chords, the whole tone scale is not very widely used, but when you need that specific vibe, nothing else will do. Whole tone scales are easy to understand, because there are only two of them total. Whichever key you are in, there is a whole tone scale that includes the tonic, and another …

Living for the City

This Stevie Wonder classic is an iconic blues-based groove combined with some very non-blues-based harmony. Stevie sang all the parts and played all the instruments, including the sumptuous analog synth sounds designed with Malcolm Cecil and Robert Margouleff. Stevie’s brother Calvin Hardaway is the main character in the spoken interlude. Ira Tucker Jr of the …