As part of our ongoing commitment to electronica-fy classic rock, may we present:
Born 2B Wylde
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Vocals and arranging by Barbara. Samples, guitar and drum machine programming by me.
The song was written by Mars Bonfire. Best stage name ever! I love this song as music, but its symbolism is a little lost on me. Bla bla bla sixties, open road, freedom, whatever. The biker mythos doesn’t grab me. I’ve never made it all the way through Easy Rider. I do like the poster though.
Spoiler alert: don’t read until you’ve watched to the end of season three.
Mad Men is well-made television, but so is plenty of other television. Why is this particular show so compelling to me and so many of my buddies? I think it’s that watching Mad Men is like watching a documentary about our parents and grandparents. In particular, Don Draper is a window into our emotionally inaccessible fathers. For me, the generations don’t line up exactly right – in 1963 my dad was only 21 – but it’s close enough for some intense emotional resonances. I feel like I’m looking through a magic window into events that the old photo albums only hint at.
My dad and Don. There’s so much overlap. Both were authority-resistant guys disguised by suits and corporate jobs. Both underwent name changes and had complex parentage. Both earned a lot more money in New York City as adults than they grew up with in middle America. Both were divorced parents of young kids. Here’s a more detailed rundown of the similarities and differences.
I’m producing some tracks for a singer-songwriter named Geoff. He’s having me play some acoustic guitar parts in a country-rock style. I play this kind of material exactly like Jerry Garcia would. I can’t help it. From the ages of fifteen to twenty, my guitar-learning years, there was no musician I cared more about in the world than Jerry. It’s not about drugs. I’ve never tripped on anything. I really did like the music, a lot.
The most-sampled album in history is probably James Brown’s compilation In The Jungle Groove. It includes the original “Funky Drummer Parts One And Two” along with a sampling-friendly remix. It also includes some other much-loved funk tracks. None of them have been sampled as heavily as “Funky Drummer” but there are some contenders.
The compilation is named for a breakdown section that appears in “Give It Up or Turnit a Loose.” James Brown quiets the band down to handclaps, footstomps and congas played by Johnny Griggs. (more…)
My friend Leo told me that he always faces a conflict when shopping for jazz records. He wants to show love for working musicians by buying their newer recordings, but then, he could always just pick up another Miles Davis album and know it’s going to be ridiculously good.
Probably my favorite Miles album out of many close contenders is In a Silent Way. It’s one of his first jazz-funk records, and there are no traditional songs on it. Each side is a single long track, pieced together by Miles and producer Teo Macero from excerpts of long improvisations. Earlier Miles albums had used tape editing to create seamless suites and to composite different takes of the same tune together. In A Silent Way was the first Miles album to use the mixing desk as a fundamental compositional tool. Miles and his producer remixed the improvs into something unambiguously new.
When I was in third grade, my mom and stepfather went on academic sabbatical to London for six months, taking my sister and me with them. I guess I’m grateful for the chance to experience another culture and everything, but it was a rough six months. I missed my dad, school, New York, the Muppet Show. British third graders are manic xenophobes of Eric Cartman proportions. It was the first time I had ever experienced genuine alien-ness, and I didn’t like it. The best thing about being there was Doctor Who.
Say “oooh” as in “noodle.” Then say “aaah” as in “park.” When you say “oooh” your mouth is more closed, with less resonating space and a smaller opening. This configuration blocks the higher overtones of your voice. When you say “aaah” your jaw and lips open, creating more resonating space and letting more high overtones through. Now glide from one to the other. The resulting “ooohaaaah” is the sound the wah-wah pedal is named for. By selectively filtering an electronic instrument’s overtones, the pedal can make it sound more vocal. It’s only two vowel sounds out of the dozens your mouth is capable of producing, but it’s a start toward making a more human tone.
