Identifying plagal cadences

This week in aural skills, we’re working on various harmonic tropes based on IV-I root movements. This chord progression is technically called the plagal cadence, but is more memorably nicknamed the “Amen” cadence because it’s a traditional European hymn ending. (It has nothing to do with the Amen break, though they do sound good together.) …

Spoonful

One of the most intense and arresting recordings I have ever heard is Howlin’ Wolf’s recording of “Spoonful” by Willie Dixon. This is on my list of classic songs with no chord changes, along with “Chain of Fools” by Aretha Franklin, “India” by John Coltrane, “I’m Bad Like Jesse James” by John Lee Hooker, “Papa Was …

Debating the morals of the mashup

Recently, I was on Connecticut Public Radio’s Colin McEnroe show, talking about the culture and history of the mashup. I gave my usual enthusiastic endorsement of the practice. My friend Jesse Selengut, an ace jazz trumpet player and all-around music master, had some responses.

Gimme Shelter

I’ve always been more of a Beatles guy than a Stones guy, but respect where respect is due, “Gimme Shelter” is a classic. It’s on my mind because Dangerous Minds posted the isolated tracks, and they’re a lot of fun. It’s fascinating to hear the separated vocals, guitars, bass and drums. The Youtube videos containing …

Bitter Sweet Symphony

The case of the “Bitter Sweet Symphony” by The Verve is one of the biggest failures of copyright law in recent history. The distinctive string sample comes from an orchestral arrangement of “The Last Time” by The Rolling Stones. Doesn’t sound much like the Verve, does it? Here’s the Andrew Oldham Orchestra‘s version, the sample …