For my final project in Advanced Audio Production at NYU, I created a 5.1 surround remix of the Beatles’ “Here Comes The Sun.” You can download it here. If you don’t have surround playback, you can listen to the stereo version: I was motivated to create a surround remix of a Beatles song by hearing [...]
Filed in Composition, Copyright and Authorship, Music, Recording, Software
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Also tagged ableton, beatles, danger mouse, dreaming, electronica, film theory, mixing, Music, nyu, paul geluso, pro tools, remixes, rock, surround sound, synths
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Sunday, November 11, 2012
Susan McClary “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture.” in Audio Culture, Daniel Warner, ed, Continuum International Publishing Group, 2004, pp 289 – 298. This is essay is the best piece of music writing I’ve read in quite a while. She articulates my personal ideology of music perfectly. Also, she quotes Prince! [...]
Filed in Composition, Emotion, Improvisation, Music, Music Theory, Race and Identity, Recording
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Also tagged america, classical, Composition, hip-hop, history, Improvisation, prince, race, repetition, schoenberg, susan mcclary, technomusicology, theodor adorno
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Thursday, November 1, 2012
Matthew D. Thibeault. Wisdom for Music Education From the Recording Studio. General Music Today, 20 October 2011. Stuart Wise, Janinka Greenwood and Niki Davis. Teachers’ Use of Digital Technology in Secondary Music Education: Illustrations of Changing Classrooms. British Journal of Music Education, Volume 28, Issue 2, July 2011, pp 117 - 134. Digital recording studios [...]
Filed in Composition, Music, Music Teaching, Recording, Software
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Also tagged brian eno, Composition, education, Improvisation, Music, music notation, music teaching, nyu, psychology, Sampling, school, teaching, technomusicology
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Tuesday, October 30, 2012
For Paul Geluso’s Advanced Audio Production midterm, we were assigned to choose two tracks from his recommended listening list, and compare and contrast them sonically. I chose “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, both tracks nevertheless share a similar [...]
Filed in Copyright and Authorship, Key Musicians, Music, Recording, Sampling
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Also tagged brian eno, dance, david byrne, digging the crates, eighties, electronica, funk, mixing, Music, nineties, nyu, paul geluso, production, Sampling, synths, the orb
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The most fun Music Technology class I’m taking this semester is Advanced Audio Production with Paul Geluso. A major component of the class is learning how to listen analytically, and to that end, we were assigned to pick a song and do an exhaustive study of its sonic qualities. We used methods from William Moylan’s [...]
Filed in Composition, Music, Recording
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Also tagged ableton, analysis, attention, big boi, funk, hip-hop, janelle monae, melodyne, michael jackson, Music Theory, nyu, omnigraffle, paul geluso, production, r&b, visualization
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Wednesday, August 1, 2012
Recently, I was on Connecticut Public Radio’s Colin McEnroe show, talking about the culture and history of the mashup. I gave my usual enthusiastic endorsement of the practice. My friend Jesse Selengut, an ace jazz trumpet player and all-around music master, had some responses.
Filed in Composition, Copyright and Authorship, Music, Recording, Sampling
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Also tagged appropriation, capitalism, collage, Composition, copyright, dj earworm, hip-hop, jesse selengut, mashups, memes, Music, ownership, production, rolling stones, Sampling, susan blackmore
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This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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Guberman, Daniel. Post-Fidelity: A New Age of Music Consumption and Technological Innovation. Journal of Popular Music Studies, Volume 23, Issue 4, pp 431–454 Guberman divides the history of recorded music into two distinct sections: the fidelity era, stretching from Thomas Edison through the invention of the compact disk, and the post-fidelity era, beginning with the [...]
Filed in Dance, Hardware, Internet, Music, Music Business, Recording, Technology
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Also tagged audiophiles, cell phones, dance, hip-hop, linkedin, mp3, nyu, pop, sodcasting, technomusicology
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Auto-tune was already a well-established studio tool by the time “Believe” came out, though it was unknown outside the music industry.
Filed in Music, Recording, Software
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Also tagged autotune, cher, dance, electronica, Music, pop, posthuman, quora, Software
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Tuesday, October 11, 2011
Update: check out my own newest visualization scheme, the radial drum machine. See also a more scholarly review of the literature on visualization and music education. Computer-based music production and composition involves the eyes as much as the ears. The representations in audio editors like Pro Tools and Ableton Live are purely informational, waveforms and [...]
Filed in Composition, Interfaces, Math, Music, Music Theory, Software, Visual art
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Also tagged bjork, euler, funky drummer, interfaces, linkedin, looping, melodyne, Music, music notation, networks, notation, reason, recycle, roger penrose, topology, visualization
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