Gödel, Escher, Bach by Douglas Hofstadter describes and defines the concept of recursion, and discusses its applications in computer science, consciousness, art, music, biology and various other fields. Recursion is crucial to writing computer programs in a compact, elegant way, but it also opens the door to infinite loops and irreconcilable logical contradictions.
Filed in Math, Music, Writing
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Also tagged anthills, bach, books, buddhism, computer science, douglas hofstadter, emergence, escher, fractals, godel, meditation, recursion, Sampling, xkcd
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Thursday, October 20, 2011
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you [...]
Filed in Composition, Dance, Improvisation, Key Musicians, Music, Sampling
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Also tagged 808, art blakey, bass, beatles, black sheep, bootsy collins, charles mingus, daft punk, dance, digable planets, duke ellington, electronica, funk, groove, herbie hancock, hip-hop, james brown, janet jackson, jazz, john coltrane, kanye west, ladysmith black mambazo, michael jackson, miles davis, morphine, paul simon, pop, rock, sequencing, talking heads, teddy riley
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Tuesday, October 11, 2011
When you do a lot of computer-based music production and composition, you’re working as much with your eyes as you are with your ears. It’s only natural to start wondering about other music visualization systems. The representations in audio editors like Pro Tools and Ableton Live are purely informational, waveforms and grids and linear graphs. [...]
Filed in Composition, Interfaces, Math, Music, Music Theory, Software, Visual art
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Also tagged bjork, euler, funky drummer, interfaces, linkedin, melodyne, Music, music notation, networks, notation, reason, Recording, recycle, roger penrose, topology, visualization
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Friday, September 23, 2011
Anna and I caught one of the best performances we’ve seen in years the other night by Tune-Yards. My friend Andrew, who was at the show, said this afterwards: “I can’t decide whether hearing the president say ‘This is not class warfare, it’s math’ or the fact that this band could become popular makes me [...]
Filed in Hardware, Music, Race and Identity, Sampling
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Also tagged africa, audience participation, drumming, hipsters, indie, merrill garbus, race, tune-yards, ukelele
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Friday, September 9, 2011
If you had to name the most influential drummers in contemporary music, who would you pick? If you’re a rock fan, you might go with Ringo Starr, John Bonham, or Keith Moon. A jazz fan might talk about Max Roach, Elvin Jones or Tony Williams. You probably wouldn’t think to name Gregory Cylvester Coleman. He [...]
Filed in Copyright and Authorship, Math, Music, Sampling
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Also tagged amon tobin, aphex twin, copyright, curtis mayfield, david bowie, digging the crates, dillinja, drum n bass, drumming, eighties, electronica, futurama, golden ratio, hip-hop, jungle, luke vibert, lupe fiasco, mantronix, Math, memes, nineties, nwa, powerpuff girls, recycle, reggae, rnb, salt n pepa, Sampling, snow, soul, the impressions, the winstons
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Back in June we went to see the incomparable Reggie Watts perform at Central Park Summerstage. I think Reggie is one of the most exciting artists of our time, but it’s difficult to verbalize exactly what he does. His performances combine improvisational music and absurdist standup comedy into a free-associative yet oddly coherent and impactful [...]
Filed in Hardware, Improvisation, Key Musicians, Music, Race and Identity, Recording, Sampling
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Also tagged comedy, hip-hop, Improvisation, jake lodwick, jazz, reggie watts
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Hip-hop isn’t usually big on chord progressions, but “Empire State Of Mind” by Jay-Z and Alicia Keys has an awesome set of changes. Because Alicia Keys was involved, I thought she might have written the chord progression. But no, it’s built from samples of the intro to “Love On A Two-Way Street” by The Moments.
Filed in Composition, Music, Sampling
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Also tagged alicia keys, chords, digging the crates, hip-hop, jay-z, lego, Music Theory, nyc, Sampling, songwriting, the moments
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Saturday, August 14, 2010
In 1988, a pair of British acid house DJs named Bill Drummond and Jimmy Cauty, variously known as The Justified Ancients of Mu Mu, The Timelords, and The KLF, had an improbable number one hit with “Doctorin’ The Tardis.” The track isn’t so much a song as it is an early mashup. Just about everything [...]
Filed in Composition, Copyright and Authorship, Dance, Music, Music Business, Music Teaching, Recording, Sampling
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Also tagged dance, digging the crates, doctor who, eighties, mashups, memes, michael jackson, pop, production, Recording, rick astley, songwriting, uk, whitney houston
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I wrote a general post about what makes a hot beat hot. As a followup, here’s how to program some generic patterns and a few famous breakbeats. The basic unit of dance music is a sequence of sixteen eighth notes, two measures of four-four time. Drum machines like the Roland TR-808 represent the sixteen eighth [...]
Filed in Music, Music Teaching, Software
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Also tagged dance, drum machines, drumming, funky drummer, hip-hop, hone, honey drippers, james brown, led zeppelin, programming, rhythm, rock, time
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I’ve had a lot of music teachers, formal and informal. The best one has been the computer. It mindlessly plays anything I tell it to, over and over. Hearing an idea played back on a continuous loop tells me quickly if it’s good or not. If the idea is bad, I immediately get annoyed, and [...]
Filed in Composition, Math, Music, Music Teaching, Recording, Sampling
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Also tagged beatles, country, dance, electronica, fela kuti, hip-hop, jazz, memory, modules, recursion, remixes, rza, structure, symmetry, theodor adorno
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