Tuesday, January 25, 2011
Minor keys are way more complicated than major keys. But the effort is worth it; all that complexity gives a richer array of expressive possibility. The best place to start with minor keys, paradoxically, is with the major scale modes. The pitches in C major are the same as the ones in A natural minor. [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged alfred hitchcock, bach, bernard herrmann, carlos santana, chords, dorian, Emotion, harmonic minor, henry purcell, melodic minor, modes, Music Theory, natural minor, scales, tito puente
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December is always a complex month for half-Jewish mutts like me. When pressured to self-identify, I usually just go with “Jewish” for the sake of simplicity, but this is in spite of not having being bar mitzvahed, not knowing any Hebrew, having only the vaguest idea what all the holidays and rituals mean, and having [...]
Filed in Autobio, Music, Music Theory, Race and Identity
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Also tagged Autobio, blues, dave tarras, history, judaica, klezmatics, microtones, naftule brandwein, nyc, scales
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Thursday, February 11, 2010
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s [...]
Filed in Autobio, Music, Race and Identity
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Also tagged acoustic, alicia keys, authenticity, autotune, bebop, big chill, bill monroe, bluegrass, blues, electronica, Emotion, harmonica, herbie hancock, howlin wolf, jay-z, jazz, john coltrane, judaica, led zeppelin, lipsynching, michael jackson, motown, nyc, purists, rnb, Sampling, soul, synths, thelonious monk
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