I Wanna Be Your Lover

In addition to drumming with the Roots, Ahmir “Questlove” Thompson is a brilliant DJ, and he wrote a Twitter thread about his top ten most reliable dance floor fillers. Prince figures heavily in the thread, first because he once tipped Quest $100 for having the audacity to slip Miles Davis’ “Milestones” into a DJ set. …

Originality in Digital Music

This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it …

Mashups as micro-mixtapes

Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a …

God don’t ever give me nothing I can’t handle, so please don’t ever give me records I can’t sample

The title is a lyric by Kanye West on Common’s track “They Say.” A hundred percent of my musical energy right now is coming from and going into sample-based music. To wit: Records I Can’t Sample [audio:http://ethanhein.com/music/Ethan_Hein_Records_I_Cant_Sample.mp3] Me vs Michael Jackson vs Herbie Hancock vs Missy Elliot vs Kanye West vs Fab Five Freddy mp3 …

No one has ever written an original song

Sampling, remixing and mashups make some people angry. A lot of people think that repurposing existing ideas is bad, that it’s lazy, or a form of stealing. We value originality highly. Should we? My own experience of music making is that there are no original ideas. There are novel combinations of old ideas, but it’s …