Strawberry Fields Forever

The Beatles are so omnipresent that it’s easy to take them for granted. I answered a question on r/musictheory about that weird chord in the chorus of “Strawberry Fields Forever” and it made me remember that the song exists, that it’s super cool, and that it would be an interesting topic both for my music tech and songwriting students. 

This song was famously assembled in the studio from multiple takes, and its production is quite complicated. Like many later Beatles psychedelic masterpieces, this ended up being more a piece of electronic music than rock. But before we get into the production of the track, let’s talk about the “notes on the page” aspect of the song. John Lennon is very good at making unconventional songwriting ideas sound intuitive and inevitable.

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In My Life

My daughter is getting deep into the Beatles, so I’m listening to them a lot with her. I don’t usually listen to the Beatles all that much, because I know their songs backwards and forwards and inside out. But it’s always nice to come back to the songs in a new context, and it’s rare to listen through them closely and repeatedly with someone who has never heard any of them before. One of the ones that piqued the kid’s interest was “In My Life.” When I was a teenager, I loved that tune without really knowing why. Now I have the tools to find out. So let’s find out!

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Led Zeppelin, “Ten Years Gone”

I like to dip into Rick Beato’s YouTube channel once in a while. He’s too Boomer-ish and curmudgeonly about current pop music for my tastes, but when he rhapsodizes about the 70s rock that he loves, he’s delightful. His list of the top 10 Led Zeppelin riffs is especially pure Beato essence.

Number six on Rick’s list is “Ten Years Gone”, a power ballad from Physical Graffiti and a bit of a deep cut. After this video reminded me that it existed, I went and listened to the song with fresh ears, and I very much enjoyed it. Continue reading

The Beatles were an electronica band

Update: hear my 5.1 surround remix of “Here Comes The Sun.”

Why are the Beatles still so cool? By which I mean the late Beatles, Revolver onwards. I like Please Please Me as much as the next guy, but it isn’t why the Beatles are cool now. No, I mean the last few records, especially Sgt Pepper, the White Album and Abbey Road. If any of these albums were released next week, Pitchfork would go ballistic over them. Three quarters of the indie rock of the past ten years descends directly from Abbey Road. Why do we all still care so much?

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