This week in aural skills, we are practicing identifying pop schemas, that is, chord sequences and loops that occur commonly in various kinds of Anglo-American top 40, rock, R&B and related styles. We previously covered the permutations of I, IV and V and the plagal cadence. Now we’re getting into progressions that bring in the rest …
Continue reading “Identifying standard pop chord progressions”
This week in aural skills, we’re working on various harmonic tropes based on IV-I root movements. This chord progression is technically called the plagal cadence, but is more memorably nicknamed the “Amen” cadence because it’s a traditional European hymn ending. (It has nothing to do with the Amen break, though they do sound good together.) …
For a more detailed and scholarly version of this guide with a bibliography, see my Blues Tonality treatise. How do chords and scales work in the blues? Is there a “blues scale”, and if so, what notes does it include? What are blue notes? Why does it sound good to play minor melody notes over …
I have mixed feelings about the Kronos Quartet arrangement of “Purple Haze” by Jimi Hendrix. On the one hand, it’s cool that they even attempted it. On the other hand, is the attempt successful? It’s great that they’re taking advantage of the violin’s pitch continuum to do all the blue notes and guitaristic bends and …
It’s a delightful sensation to be watching a new Adam Neely video and then being startled by hearing my own name. A commenter says, “he just humiliates you with terminology while looking through pages of his thick clever books and then casually quotes some random guy on the internet like yeah whatever.” That random guy …
Continue reading “Adam Neely video on “Hey Joe” and blues tonality”
This summer, I’m teaching Cultural Significance of Rap and Rock at Montclair State University. It’s my first time teaching it, and it’s also the first time anyone has taught it completely online. The course is cross-listed under music and African-American studies. Here’s a draft of my syllabus, omitting details of the grading and such. I welcome your questions, comments …
Continue reading “Prepping my rap and rock class at Montclair State”
I’m teaching at Montclair State University because of Adam Bell, a fellow self-taught rock and pop musician turned academic. Adam loves to quote The Poetics of Rock by Albin Zak, and rightly so. Zak’s major point is that rock is an art form about making records, and that the creativity in making records is only …
See a more beginner-friendly blues primer here. Read this treatise in Spanish, translated by Jesús Fernández. Abstract The blues is a foundational element of America’s vernacular and art music. It is commonly described as a combination of African rhythms and European harmonies. This description is inaccurate. Blues follows harmonic conventions that are quite different from …
In 1987 I remember having my ears grabbed by this track on the radio called “Pump Up The Volume” by MARRS. Now that mashups are so common, this track doesn’t sound particularly remarkable. But in seventh grade it was startling to hear a house music track full of random samples. “Pump Up The Volume” was …
People had been playing electric guitar for decades before Jimi Hendrix. Mostly they used it as a louder, less effortful version of the acoustic guitar. Jimi was one of the first musicians to think of the guitar amp as a musical instrument unto itself, an early analog synth, with the guitar as a very sophisticated …
