The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was [...]
Filed in Composition, Copyright and Authorship, Dance, Key Musicians, Music, Sampling
|
Also tagged a tribe called quest, big daddy kane, bjork, boy george, boyz ii men, cameroon, charles hamilton, copyright, dance, david mancuso, digging the crates, duala, eighties, Evolution, fugees, funk, geto boys, kanye west, kool moe d, lord tariq and peter gunz, manu dibango, memes, michael jackson, poor righteous teachers, pop, rihanna, songwriting, soul makossa, thriller, will smith
|
DJ BC is my favorite mashup artist right now. He deserves the nod just for Snoop’s Nu Shooz:
Filed in Autobio, Composition, Copyright and Authorship, Key Musicians, Music, Sampling
|
Also tagged bangles, beatles, brian eno, danger mouse, dj bc, dj earworm, hip-hop, linkedin, mashups, mia, nu shooz, pop, Sampling, snoop dogg, soundcloud, wu-tang
|
Wednesday, August 31, 2011
When I was a kid, I’d listen to music and wonder, why is this chord progression so much more satisfying than that one? Now I know the answer: secondary dominants, chords that temporarily change the key in a logical-sounding way. If you want to take your songwriting in a more sophisticated direction, you definitely want [...]
Filed in Composition, Music, Music Teaching, Music Theory
|
Also tagged alicia keys, bob dylan, cadences, chords, circle of fifths, Composition, country, elizabeth cotten, harmony, i got rhythm, jazz, Music Theory, neil young, ragtime, secondary dominants, tritones
|
Why does folk music collector Alan Lomax have a copyright interest in “Takeover” by Jay-Z? I learned the answer from Creative License: The Law And Culture Of Digital Sampling by Kembrew McLeod and Peter DiCola. It’s a companion book to the invaluable documentary Copyright Criminals. The story of Jay-Z and Alan Lomax isn’t quite as [...]
Filed in Composition, Copyright and Authorship, Music, Music Business, Politics, Recording, Sampling
|
Also tagged alan lomax, blues, chain gangs, copyright, digging the crates, folk, funk, grand funk railroad, hip-hop, krs-one, rock, Sampling, the animals
|
The defining musical experience of my lifetime is hearing familiar samples in unfamiliar contexts. For me, the experience is usually a thrill. For a lot of people, the experience makes them angry. Using recognizable samples necessarily means having an emotional conversation with everyone who already has an attachment to the original recording. Music is about [...]
Filed in Emotion, Evolution, Music, Sampling
|
Also tagged beatles, beyonce, chi-lites, elvin jones, Evolution, grateful dead, john coltrane, manu dibango, mashups, memes, michael jackson, monkeysphere, pop, radiohead, remixes, sample maps, Sampling, sarah mclachlan, soul makossa, susan blackmore, tribe, zap mama
|
Hip-hop isn’t usually big on chord progressions, but “Empire State Of Mind” by Jay-Z and Alicia Keys has an awesome set of changes. Because Alicia Keys was involved, I thought she might have written the chord progression. But no, it’s built from samples of the intro to “Love On A Two-Way Street” by The Moments.
Filed in Composition, Music, Sampling
|
Also tagged alicia keys, chords, digging the crates, hip-hop, lego, looping, Music Theory, nyc, Sampling, songwriting, the moments
|
This song represents a lot of firsts for Michael Jackson. It was the first single from Off The Wall, and the first recording MJ made that he had complete creative control over. Many of his hits were written by Quincy Jones or Rod Temperton or the guys from Toto, but Michael wrote this one himself. [...]
Filed in Dance, Key Musicians, Music
|
Also tagged beyonce, dance, disco, drumming, harmony, hip-hop, mase, Math, michael jackson, mixolydian, Music Theory, pop, public enemy, Sampling, seventies, slick rick, tritones
|
Thursday, February 11, 2010
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s [...]
Filed in Autobio, Music, Race and Identity
|
Also tagged acoustic, alicia keys, authenticity, autotune, bebop, big chill, bill monroe, bluegrass, blues, electronica, Emotion, harmonica, herbie hancock, howlin wolf, jazz, john coltrane, judaica, klezmer, led zeppelin, lipsynching, michael jackson, motown, nyc, purists, rnb, Sampling, soul, synths, thelonious monk
|
Saturday, November 28, 2009
If you’re in a band, chances are you feel like you’re supposed to be writing your own material. If you write your own songs, you can make more money from the publishing rights in addition to your album sales (should you, improbably, be selling albums.) Writing your own stuff isn’t just a financial consideration. The [...]
Filed in Autobio, Composition, Improvisation, Key Musicians, Music, Sampling
|
Also tagged arrangement, big band, chet baker, copyright, count basie, duke ellington, frank sinatra, harmony, Improvisation, jazz, john coltrane, lego, looping, memes, miles davis, modules, Music, Music Theory, my favorite things, originality, reharmonization, remixes, Sampling, swing, symmetry, the sound of music
|