This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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Auto-tune makes producing music easier. It can also make understanding music theory easier. The way you dial up different keys and scales doesn’t just guide your ear, it also guides your eye. Your voice can produce a smooth continuum of pitches. To sing, you eliminate most of those possibilities, vibrating your mouth and throat only [...]
Filed in Math, Music, Music Teaching, Music Theory, Software
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Also tagged audio, autotune, binary, electronica, harmony, hip-hop, john coltrane, kanye west, lil wayne, Math, Music, Music Theory, pro tools
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