This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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Here’s an email conversation I’ve been having with my friend Greg Brown about Kanye West’s recent albums. Greg is a classical composer and performer with a much more avant-garde sensibility than mine. The exchange is lightly edited for clarity. Greg: I’ve been listening to 808s and Heartbreak and Twisted Fantasy. I’m really enjoying them. Far [...]
Filed in Emotion, Key Musicians, Music, Recording, Software
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Also tagged 808, 808s and heartbreak, autotune, classical, distortion, fiona apple, frank ocean, jay-z, john adams, kanye west, pop, posthuman, rnb, Sampling, singing, soul, watch the throne
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Guberman, Daniel. Post-Fidelity: A New Age of Music Consumption and Technological Innovation. Journal of Popular Music Studies, Volume 23, Issue 4, pp 431–454 Guberman divides the history of recorded music into two distinct sections: the fidelity era, stretching from Thomas Edison through the invention of the compact disk, and the post-fidelity era, beginning with the [...]
Filed in Dance, Hardware, Internet, Music, Music Business, Recording, Technology
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Also tagged audiophiles, cell phones, dance, linkedin, mp3, nyu, pop, Recording, sodcasting, technomusicology
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Saturday, February 25, 2012
Chapman, Dale. “That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production. Journal of the Society for American Music (2008) Volume 2, Number 2, pp. 155–175. Chapman examines the impact that Timbaland has had on popular music production, and what his significance is to the broader culture. While Timbaland himself is no longer the [...]
Filed in Key Musicians, Music, Race and Identity, Recording, Sampling, Software, Technology
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Also tagged anxiety, dance, Internet, linkedin, missy elliot, pop, posthuman, production, technomusicology, timbaland
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Wednesday, January 18, 2012
Thelonious Monk’s beautiful ballad “Round Midnight” is said to be the most widely recorded and performed jazz tune — that is, a tune that was written specifically for jazz, not an adaptation of a showtune or pop song. It’s a testament to its popularity that it’s one of exactly two songs that Dave Chappelle knows [...]
Filed in Composition, Improvisation, Music
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Also tagged ballads, bebop, bud powell, carmen mcrae, Composition, cootie williams, dave chappelle, dizzy gillespie, ella fitzgerald, jazz, john coltrane, krs-one, linkedin, miles davis, oscar peterson, Sampling, singing, thelonious monk
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Here are some recommended people to follow on Twitter. Most of them have blogs of various kinds which you can access via their Twitter profiles. For hip-hop, sampling and everything related: Questlove Kevin Nottingham Whosampled Grown Folks Music Wayne Marshall Hank Shocklee Jeff Chang For technology: Deb Chachra Tara Busch Paul Lamere For the highbrow [...]
Wednesday, November 30, 2011
The trumpet player Nicholas Peyton wrote a blog post recently: On Why Jazz Isn’t Cool Anymore. It’s a must-read for anyone interested in the future of the art form. If jazz is ever going to be popular again, it needs to regain its cool. Jazz was popular when it was intimately connected to popular culture. [...]
Thursday, October 20, 2011
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you [...]
Filed in Composition, Dance, Improvisation, Key Musicians, Music, Sampling
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Also tagged 808, art blakey, bass, beatles, black sheep, bootsy collins, charles mingus, daft punk, dance, digable planets, duke ellington, electronica, funk, groove, herbie hancock, james brown, janet jackson, jazz, john coltrane, kanye west, ladysmith black mambazo, looping, michael jackson, miles davis, morphine, paul simon, pop, rock, sequencing, talking heads, teddy riley
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DJ BC is my favorite mashup artist right now. He deserves the nod just for Snoop’s Nu Shooz:
Filed in Autobio, Composition, Copyright and Authorship, Key Musicians, Music, Sampling
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Also tagged bangles, beatles, brian eno, danger mouse, dj bc, dj earworm, jay-z, linkedin, mashups, mia, nu shooz, pop, Sampling, snoop dogg, soundcloud, wu-tang
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I always enjoy when hip-hop artists sample themselves. It makes the music recursive, and for me, “recursive” is synonymous with “good.” You can hear self-sampling in “Nas Is Like” by Nas, “The Score” by the Fugees and many songs by Eric B and Rakim. The most recent self-sampling track to cross my radar is “Unbelievable” [...]
Filed in Key Musicians, Math, Music, Sampling
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Also tagged digging the crates, dj premier, fractals, funk, impeach the president, keybs, lee byron, mandelbrot, nas, notorious big, nursery rhymes, patrice rushen, r kelly, recursion, rnb, Sampling, songwriting, turntablism
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