Friday, September 28, 2012
A while ago I wrote a post explaining how jazz works. In response, someone asked me to name my favorite hundred jazz tracks. So here’s my list. It’s totally subjective and necessarily incomplete, but I can guarantee that any of these tunes will make your life better. Hear them on Spotify.
Filed in Key Musicians, Music
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Also tagged america, art blakey, art tatum, bebop, billie holiday, blues, bud powell, cannonball adderley, carmen mcrae, cecil taylor, charles mingus, charlie parker, clifford brown, Composition, count basie, digging the crates, dixieland, dizzy gillespie, django reinhardt, drumming, duke ellington, ella fitzgerald, eric dolphy, free jazz, gil evans, hank mobley, horace silver, jazz, jimmy smith, joe pass, john coltrane, louis armstrong, max roach, mccoy tyner, miles davis, nat adderley, oliver nelson, sidney bechet, singing, sonny rollins, soul, standards, swing, thelonious monk, wayne shorter
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Saturday, December 3, 2011
Improvisation Charlie Christian – “Waiting For Benny”
Filed in Composition, Improvisation, Music
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Also tagged art blakey, blues, charlie christian, clifford brown, Composition, count basie, duke ellington, Improvisation, jazz, john coltrane, max roach, miles davis, quora, soul
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Thursday, October 20, 2011
The bassline is neglected by most non-musicians. But if you want to write or produce music, you quickly find out how important it is. The bassline is the foundation of the whole musical structure, both rhythmically and harmonically. The best basslines interlock with the drums and other rhythm instruments to propel the groove, without you [...]
Filed in Composition, Dance, Improvisation, Key Musicians, Music, Sampling
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Also tagged 808, art blakey, bass, beatles, black sheep, bootsy collins, charles mingus, daft punk, dance, digable planets, duke ellington, electronica, funk, groove, hip-hop, james brown, janet jackson, jazz, john coltrane, kanye west, ladysmith black mambazo, looping, michael jackson, miles davis, morphine, paul simon, pop, rock, sequencing, talking heads, teddy riley
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Since I’m teaching the twelve-bar blues to some guitar students, I figured I’d put the lessons in the form of a blog post. Blues is a big topic and this isn’t going to be anything like a definitive guide. Think of it more as a tasting menu. Blues is a confusing term. You probably have [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged aretha franklin, batman, blues, chords, country, duke ellington, Emotion, flatt and scruggs, guitar, hank williams, harmonica, jazz, john coltrane, john lee hooker, louis armstrong, memes, modules, muddy waters, Music Theory, race, thelonious monk, tritones
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Blue notes are a big part of what makes the blues sound like the blues. Most other American vernacular music uses blue notes too: jazz, funk, rock, country, gospel, folk and so on. In the video below, John Lee Hooker hits a blue note in just about every single guitar phrase. For such a foundational [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged autotune, blue notes, blues, guitar, john lee hooker, microtones, Music Theory, soul, tuning
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Thursday, February 11, 2010
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s [...]
Filed in Autobio, Music, Race and Identity
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Also tagged acoustic, alicia keys, authenticity, autotune, bebop, big chill, bill monroe, bluegrass, blues, electronica, Emotion, harmonica, howlin wolf, jay-z, jazz, john coltrane, judaica, klezmer, led zeppelin, lipsynching, michael jackson, motown, nyc, purists, rnb, Sampling, soul, synths, thelonious monk
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Turntablists use record players to play records in ways they weren’t meant to be played. By speeding up, slowing down and reversing the record under the needle, a whole universe of new sounds becomes possible. The record player as musical instrument is still in its early stages of development. DJs already invented the instrumental sound [...]
Filed in Hardware, Improvisation, Interfaces, Music, Sampling
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Also tagged a tribe called quest, afrika bambaataa, apache, dj, dj premier, funky drummer, grand mixer dst, grandmaster flash, hip-hop, Improvisation, looping, mashups, music notation, peter piper, rahzel, remixes, rhythm, rockit, run-dmc, Sampling, scratch, turntablism, visualization, wu-tang
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Now that I have an office job, I’m spending a lot of time under headphones while I correct people’s grammar. It’s a good opportunity to explore the outer reaches of my music tastes. The office has some networked iTunes libraries heavy on the Pitchfork 500, and I have whatever I’m bringing from home. I’ve also [...]
Filed in Internet, Music, Music Business, Software
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Also tagged algorithmic composition, bjork, database, dj, hip-hop, internet radio, itunes, kanye west, napoleon dynamite, netflix, pandora, random, remixes, shuffle, thelonious monk
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I found this picture of Herbie Hancock on a stranger’s blog. There was no caption or any other context. So I posted it on my Flickr with a note asking if anyone could identify the computer Herbie is sitting in front of. A couple of days later my friend Mike responded with this video of [...]
Filed in Hardware, Interfaces, Key Musicians, Math, Music, Software
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Also tagged computers, drum machines, eighties, electronica, Emotion, funk, interface, jazz, keybs, Music, quincy jones, sequencing, sesame street, synths
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Herbie Hancock is a musician’s musician. He pushed the boundaries of acoustic piano in the sixties. He found a uniquely personal voice on an array of synthesizers in the seventies. And in the eighties, he helped bring turntablism into the pop mainstream. People have been experimenting with recording playback devices as musical instruments for a [...]
Filed in Interfaces, Key Musicians, Music, Sampling
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Also tagged breakdancing, digging the crates, drum machines, eighties, electronica, funk, hip-hop, jazz, keybs, Music, pop, remixes, sequencing, synths, turntablism, vocoder
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