My NYU aural skills students are working on chord identification. My last post talked about seventh chords; this post is about chords with more notes in them, or at least, different notes. My theory colleagues call them added-note chords. They are more commonly called jazz chords, though many of the examples I list below are …
Tag Archives: Herbie Hancock
Pusherman
I am always on the lookout for clear examples of blue thirds, pitches in between the standard equal-tempered major and minor thirds. I heard Curtis Mayfield’s “Pusherman” recently, and the vocal melody grabbed my ear. (Be advised that the first verse uses the n-word.) You can hear the pitches in the vocal melody even more …
RIP Wayne Shorter
In 2013, Wayne Shorter said, “The word ‘jazz’ to me only means ‘I dare you.’” I love Wayne’s playing and writing without always understanding it. I got exposed to both via Miles Davis, who put Wayne’s tunes at the center of his late 1960s albums. Here’s “Orbits” from Miles Smiles. And here’s an orchestral arrangement …
The Ghostbusters theme song
It’s Halloween, and that means that everyone is scrambling to find seasonal music beyond Michael Jackson’s “Thriller.” In the pharmacy this morning, I heard “Ghostbusters” by Ray Parker Jr, and remembered that it’s an absolute banger. This is one of a long list of songs that I loved as a kid, became embarrassed by as a …
Dilla Time in “Chameleon”
After reading and re-reading Dan Charnas’ Dilla Time, now I’m listening to music with new attention to rhythmic subtleties. I have especially been digging into the relationship between J Dilla and Herbie Hancock–Dilla sampled Herbie on “Get Dis Money” and “Zen Guitar.” That digging made me go back to my favorite Herbie tune with fresh …
Watermelon Man
As part of my current J Dilla binge, I was excited to find a track where he flips a Herbie Hancock sample (no, not “Come Running To Me“, though that one is great too.) This sent me down a rabbit hole with “Watermelon Man.” This track has had quite a journey, both in its prehistory and …
Get Dis Money
Since reading Dilla Time, I have been listening to J Dilla nonstop. In particular, I keep coming back to “Get Dis Money” by Slum Village. I first heard it on the Office Space soundtrack. It didn’t really grab me at first. In fairness to me, it’s a pretty weird piece of music! Let’s dig in.
Dilla Time
I recently finished reading Dan Charnas’ book Dilla Time. It’s a good one! If you are interested in how hip-hop works, you should read it. The book’s major musicological insight is elegantly summed up by this image: “Straight time” means that the rhythms are evenly spaced and metronomic, like a clock ticking. (Think of a …
V7-I cadences as harmonic whiteness
If you study music theory in a typical school setting, you might get the idea that the V-I cadence is the fundamental cornerstone of all harmony, or at least, of all “Western” harmony. In a standard theory course, V-I is the first chord progression that you study, and for several weeks or months, it may …
Groove melodies
Like harmony, melody works differently in grooves than it does in linear songs or Western classical compositions. In this post, I try to figure out what makes a good groove melody, and how to write one. Update: Joshua Horowitz made an interactive animation of this image! It’s so cool.