I have a new harmonica student starting today, so while I gather materials for him, I figured I’d put them in a blog post too. I started learning harmonica in high school. It was the first instrument I learned voluntarily, not counting my ineffectual middle school attempt at classical cello. As a teenager, my obsession [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged blues, bob dylan, deford bailey, folk, grateful dead, howard levy, jazz, little walter jacobs, major scale, mixolydian, Music Theory, sonny terry, stevie wonder, toots thielemans
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Since I’m teaching the twelve-bar blues to some guitar students, I figured I’d put the lessons in the form of a blog post. Blues is a big topic and this isn’t going to be anything like a definitive guide. Think of it more as a tasting menu. Blues is a confusing term. You probably have [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged aretha franklin, batman, blues, chords, country, duke ellington, Emotion, flatt and scruggs, guitar, hank williams, herbie hancock, jazz, john coltrane, john lee hooker, louis armstrong, memes, modules, muddy waters, Music Theory, race, thelonious monk, tritones
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Thursday, February 11, 2010
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s [...]
Filed in Autobio, Music, Race and Identity
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Also tagged acoustic, alicia keys, authenticity, autotune, bebop, big chill, bill monroe, bluegrass, blues, electronica, Emotion, herbie hancock, howlin wolf, jay-z, jazz, john coltrane, judaica, klezmer, led zeppelin, lipsynching, michael jackson, motown, nyc, purists, rnb, Sampling, soul, synths, thelonious monk
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