Highbrow musicians need to bring the funk

Here are three stories about the relationship of funk to the avant-garde.

Meshell Ndegeocello at Tonic

In my twenties, I forced myself to experience a lot of very highbrow avant-garde music: free jazz, experimental electronica, and various combinations thereof. One such experience was a show at Tonic. I forget who was on the bill exactly, but it included Susie Ibarra and various other downtown luminaries. The group was ad hoc and clearly had never played together before. Their freeform improvisation was colorful and interesting, but tough to get an emotional hold on.

During the second set, Meshell Ndegeocello showed up, and the band invited her to sit in. She sat onstage with her bass for a minute or two, just listening to all the atonal noise swirling around her. Then she started playing a simple G minor funk groove, quietly but insistently. One by one, the other musicians locked into it, until the whole group was actually playing together, not just at the same time, but together. It was the best show I ever saw at Tonic. It also made me realize that the best musicians play stuff that makes sense.

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Here comes the sun

Today in the NY Times there’s an article about NASA’s new Solar Dynamics Observatory. Check out this amazing video of the sun in action.

The sun was on my mind today anyway, it being so nice and cloudless outside. But days like today also cause me anxiety. I’m a fair-haired sunburn-prone type, and my dad died from skin cancer, a combination of Scandinavian genes and long hours as a young guy on a ladder helping Grandpa paint houses, plus many more hours on boats and beaches with no sunblock. I stick to the shade, wear hats and generally play it very safe, but still, I feel some dread about the amount of radiation I’m getting from the great thermonuclear reactor in the sky.

My dread does have an upside. It’s fueled a lot of fascination. The sun is a bottomless source of interest if you’re a science geek like me. Continue reading