This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was [...]
Filed in Composition, Copyright and Authorship, Dance, Key Musicians, Music, Sampling
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Also tagged a tribe called quest, big daddy kane, bjork, boy george, boyz ii men, cameroon, charles hamilton, copyright, dance, david mancuso, digging the crates, duala, eighties, Evolution, funk, geto boys, jay-z, kanye west, kool moe d, lord tariq and peter gunz, manu dibango, memes, michael jackson, poor righteous teachers, pop, rihanna, songwriting, soul makossa, thriller, will smith
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The other night Anna and I went to see Beats, Rhymes And Life: The Travels Of A Tribe Called Quest.
Filed in Key Musicians, Music, Sampling
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Also tagged a tribe called quest, cassettes, digging the crates, documentaries, hip-hop, jazz, lil wayne, masculinity, minnie riperton, movies, nineties, q-tip, Sampling
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Thursday, September 30, 2010
In 1987 I remember having my ears grabbed by this thing on the radio called “Pump Up The Volume” by MARRS. Now that mashups are so common, this track doesn’t sound particularly remarkable. But in seventh grade it was startling to hear a house music track full of random samples. “Pump Up The Volume” was [...]
Filed in Key Musicians, Music, Sampling
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Also tagged authenticity, bobby byrd, digging the crates, dj hero, eagles, eighties, eric b & rakim, flow, hip-hop, james brown, jimi hendrix, marrs, mashups, nas, recursion, revival revival, sample maps, Sampling, stetsasonic, turntablism
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Back in 1966, Glenn Gould predicted that recorded music would become an interactive conversation between musician and listener. He described dial twiddling as “an interpretive act.” He was wrong about the dials, but right about the main point, that technology would make listening to music more like making music. Anybody with iTunes instantly becomes a [...]
Filed in Composition, Copyright and Authorship, Internet, Music, Sampling
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Also tagged dave brubeck, digging the crates, dj, dj earworm, django reinhardt, double dee and steinski, electronica, fan art, funk, girl talk, glenn gould, grandmaster flash, green lantern, hip-hop, jonathan lethem, kelis, ludacris, mashups, memes, michael jackson, mixtapes, mozart, nas, paul simon, pop, pro tools, radiohead, recursion, remixes, sample maps, Sampling, sasha frere-jones, wayne marshall, youtube
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Like this sentence, computer programs and songs can refer to themselves. Many computer programs and songs are made of loops within loops within loops. Self-reference gives computers their extreme versatility. It also makes for richer, more interesting music.
Filed in Composition, Music, Software
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Also tagged audio editing, computers, hip-hop, looping, Music, programming, recursion, remixes, Sampling, self-reference
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