I’ve talked a lot of smack about high modernist music on this blog recently. Yesterday I got an email from a composer named Evan Kearney with some thoughtful reactions. Here’s what he had to say: [Y]ou wrote that you didn’t ‘get’ High Modernism (serialism, Webern, Pierre Boulez, Elliot Carter, etc.) and what it offered for [...]
I pride myself on having big ears, on listening to everything I can and trying to find the beauty in it. I’ve learned to enjoy some aspect of just about every kind of music, except one: high modernist twentieth century classical music. I just can not deal with it, at all. But I’m in music [...]
Filed in Emotion, Music, Music Theory
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Also tagged academia, anxiety, aphex twin, boulez, classical, coltrane, dissonance, einstein, horror, milton babbitt, modernism, Music, musique concrete, nyu, race, stockhausen, varese
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Steven R. Livingstone, Ralf Muhlberger, Andrew R. Brown, and William F. Thompson. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal, 34:1, pp. 41–64, Spring 2010. The authors present CMERS, “a Computational Music Emotion Rule System for the real-time control of musical emotion that modifies features at both the [...]
Thursday, September 29, 2011
I would wish for Dawkins to use more emotional sensitivity and compassion when dealing with religious people, because his hostile tone gets in the way of his invaluable message. His condescending attitude toward believers, epitomized by calling atheists “brights,” is seriously counterproductive. I’m concerned that he’s unnecessarily confrontational and inflammatory in his TV appearances, op-eds [...]
Monday, September 26, 2011
I’ve been intrigued by Charles Lyell‘s self-described “dopamine awareness campaign,” trying to show how all of our social behaviors boil down to a desire for gratifying dopamine shots. The campaign doesn’t seem to be going so well; see, for example, the collapsing of his recent answer to Why do people contribute reviews of restaurants/theatres/events etc? [...]
Saturday, September 10, 2011
I’ve been lucky enough to experience heightened and altered consciousness from music making, listening and dancing. Chasing that feeling motivates me to keep making and studying music, in spite of the lousy pay. I’m reading a wonderful book right now by William Benzon called Beethoven’s Anvil. Benzon looks at the state of brain research and [...]
Here’s what works for me. Focus on solutions. What immediate steps can people take right now? What are bigger steps that governments and corporations need to take, and what can we do to push them in the right direction? Don’t judge. Assigning blame is gratifying but counterproductive; it heightens tensions and closes minds. Instead, take [...]
“Ye-yeah” and “baby” are open-ended expressions of love, enthusiasm and general positive energy. They might be specifically directed at a loved one, but usually they’re directed at everyone and no one and have no particular meaning at all. Pop lyrics aren’t about conveying specific information. They’re about sound for the sake of sound. The voice [...]
Music has substantial evolutionary survival value. There’s a theory, which I find totally convincing, that music is the evolutionary precursor to language, the bridge between the cries and gestures of other primates and our own more abstract communication. Read about it here: Humans’ success as a species is due entirely to our social organization, and [...]
Tuesday, January 25, 2011
Minor keys are way more complicated than major keys. But the effort is worth it; all that complexity gives a richer array of expressive possibility. The best place to start with minor keys, paradoxically, is with the major scale modes. The pitches in C major are the same as the ones in A natural minor. [...]
Filed in Music, Music Teaching, Music Theory
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Also tagged alfred hitchcock, bach, bernard herrmann, carlos santana, chords, dorian, harmonic minor, henry purcell, klezmer, melodic minor, modes, Music Theory, natural minor, scales, tito puente
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