This summer, I’m teaching Cultural Significance of Rap and Rock at Montclair State University. It’s my first time teaching it, and it’s also the first time anyone has taught it completely online. The course is cross-listed under music and African-American studies. Here’s a draft of my syllabus, omitting details of the grading and such. I welcome your questions, comments …
Continue reading “Prepping my rap and rock class at Montclair State”
My computer dictionary says that a melody is “a sequence of single notes that is musically satisfying.” There are a lot of people out there who think that rap isn’t music because it lacks melody. My heart broke when I found out that Jerry Garcia was one of these people. If anyone could be trusted …
Continue reading “Ch-ch-ch-check out, check out check out my melody”
A little while back I went to a screening and discussion at NYU of Blacking Up: Hip-Hop’s Remix of Race and Identity, a documentary about the wigger phenomenon by Robert Clift. I’m a very white person who has been heavily involved with “black” music over the years, like for example rapping an Ice Cube song …
“The Funky Drummer Parts One And Two” by James Brown and the JBs is one of the most-sampled recordings in history. But even though the track is a cornerstone of hip-hop and other sample-based electronic music, for the first decade after its release, it was an obscurity. It’s not as catchy as James Brown’s big …
Continue reading “The natural history of the Funky Drummer break”
