You may have noticed a lot of writing about Peter Gabriel on the blog lately. This is because I’ve been hard at work with Alex Ruthmann, the NYU MusEDLab, and the crack team at Peer To Peer University on a brand new online class that uses some of Peter’s eighties classics to teach audio production. …
Continue reading “Announcing the Peter Gabriel edition of Play With Your Music”
This post was originally written for the Play With Your Music blog. Also be sure to check out our interview with engineer Kevin Killen and drummer Jerry Marotta. Peter Gabriel’s songwriting and recording process in the early 1980s was unusual for its technological sophistication, playfulness and reliance on improvisation. While Peter was considered avant-garde back …
We’re asking participants in Play With Your Music to create musical structure graphs of their favorite songs. These are diagrams showing the different sections of the song and where its component sounds enter and exit. In order to create these graphs, you have to listen to the song deeply and analytically, probably many times. It’s …
Continue reading “Analyzing the musical structure of “Sledgehammer” by Peter Gabriel”
In this post, I compare and contrast the soundscapes of two iconic sample-based tracks: “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, these two tracks nevertheless share a similar structure: dance grooves at medium-slow tempos centered around percussion and bass, overlaid …
Continue reading “The Schizophonia of David Byrne, Brian Eno, and The Orb”
The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was …
If you had to name the most influential drummer in contemporary music, who would you pick? If you’re a rock fan, you might go with Ringo Starr, John Bonham, or Keith Moon. A jazz fan might choose Max Roach, Elvin Jones, or Tony Williams. You probably wouldn’t think to name Gregory Cylvester Coleman. But he’s …
My quest to track down the origin of the most persistent recurring hip-hop memes brings me to this chant: The roof, the roof, the roof is on fire We don’t need no water, let the motherf***er burn The chant made its first appearance in the hip-hop canon in “The Roof Is On Fire” by Rock …
In 1987 I remember having my ears grabbed by this track on the radio called “Pump Up The Volume” by MARRS. Now that mashups are so common, this track doesn’t sound particularly remarkable. But in seventh grade it was startling to hear a house music track full of random samples. “Pump Up The Volume” was …
Missy Elliot is one of the most futuristic electronic adventurers out there, especially in her collaborations with Timbaland. Yet her stuff is as hot and soulful as music gets. How does she do it?
In 1988, a pair of British acid house DJs named Bill Drummond and Jimmy Cauty, known as The Justified Ancients of Mu Mu, The Timelords, or The KLF, had an improbable number one hit with “Doctorin’ The Tardis.” The track isn’t so much a song as it is an early mashup. Just about everything in it …
