Dorian mode

Dorian mode is such a cool scale. It evokes medieval chant and the blues. Its characteristic minor sixth chord is almost a diminished chord. And it’s unique among the diatonic modes for being symmetrical, meaning that it uses the same sequence of intervals going up and down. When you write Dorian on the chromatic circle, …

Hidden Place

At the request of Wenatchee the Hatchet, and also following my own long-standing interest, I took a dive into the opening track from Björk’s exquisite album Vespertine: I love Björk for so many reasons. A big one is her ability to make weird ideas sound approachable, which is closely related to her ability to make …

Greensleeves

In fifth grade, my class studied the Middle Ages, which my fantasy-nerd self adored. I have a memory from that time of playing “Greensleeves” on the recorder. This memory is probably not accurate, though, because “Greensleeves” was much too hard for me to play. There are some tricky non-diatonic notes, and the two halves of …

Eleanor Rigby

In both music theory and music tech classes, I ask the students to pick songs and analyze their structure. This semester, one student chose “Eleanor Rigby” by the Beatles. She had a hard time with it–understandably! It’s not a complicated song, but it is an unconventional one. In this post, I’ll talk through the tune’s …

Deconstructing the bassline in Herbie Hancock’s “Chameleon”

See also an analysis of this tune’s amazing drum groove. If you have even a passing interest in funk, you will want to familiarize yourself with Herbie Hancock’s “Chameleon.” If you are preoccupied and dedicated to the preservation of the movement of the hips, then the bassline needs to be a cornerstone of your practice.