Love Rollercoaster, Genius of Love, and nonsensical chord loops

I have a hypothesis about harmony in loop-based music: if you have a good groove going, then any repeated chord progression at all will start to make sense and sound good after a few repetitions. In this post, I demonstrate the idea using two dance floor classics. “Love Rollercoaster” by Ohio Players (1975) is from …

The Ghostbusters theme song

It’s Halloween, and that means that everyone is scrambling to find seasonal music beyond Michael Jackson’s “Thriller.” In the pharmacy this morning, I heard “Ghostbusters” by Ray Parker Jr, and remembered that it’s an absolute banger. This is one of a long list of songs that I loved as a kid, became embarrassed by as a …

An intro to remixes

One of the most significant developments in the past fifty years of popular music is the idea of using existing recordings as raw material for new musical expression. The remix began as a way to make dance versions of pop songs, but it has evolved into an entire new art medium unto itself.

Simple songs

I’m interested in a particular kind of pop song: mainstream-ish tracks that are so minimal in their melodic or lyrical content that they barely qualify as “songs,” yet manage to still be musically compelling. My paradigmatic examples: “That’s The Way (I Like It)” by KC and the Sunshine Band “Around The World” by Daft Punk …

In praise of the Reflex Re-Edit

The Reflex is a London-based French DJ and producer named Nicolas Laugier. He specializes in a particular kind of remix, the re-edit, in which you rework a song using only sounds found within the song itself. Some re-edits keep the original song more or less intact, and just give it a punchier mix, a more …

How to tell funk from disco

Funk and disco overlap broadly, but they are not the same thing. Funk lovers like me instinctively know what the difference is. But how do we know? One thing we could do is point to the beat. Disco uses that iconic four-to-the-floor pattern, and funk doesn’t, so case closed, right? Well, it’s not so simple. …

Visualizing song structures

How do you write out a pop, rock or dance song? There’s no single standard method. Some musicians use standard Western notation. Some use lyric sheets and do everything else by ear. Many of us use methods that fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems …

Don’t Stop Til You Get Enough

This song represents a lot of firsts for Michael Jackson. It was the first single from Off The Wall, and the first recording MJ made that he had complete creative control over. Many of his hits were written by Quincy Jones or Rod Temperton or the guys from Toto, but Michael wrote this one himself. …

Le Freak, c’est chic

Meet guitarist and producer Nile Rodgers, one of my favorite musicians in the world. He founded Chic along with the late bassist Bernard Edwards, and he’s on Twitter. Nile Rodgers has led an action-packed life. As a teenager, he played with the Sesame Street band, and then with the Apollo Theater house band, where he …

Breakdance

I can’t breakdance. I want to learn. It looks like fun. When I worked for the Parks Department I was involved in their afterschool programs. One of them met in the Alfred E Smith Recreation Center in the housing project of the same name. In the basketball gym, Roc-a-fella (the b-girl, not the record label) …