Wednesday, April 17, 2013
My NYU masters thesis is a drum programming tutorial system for beginner musicians. It uses a novel circular interface for displaying the drum patterns. This presentation explains the project’s goals, motivations and scholarly background. If you prefer, see it on Slideshare.
Filed in Autobio, Interfaces, Music, Music Teaching, Software
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Also tagged ableton, drum machines, drumming, electronica, hip-hop, looping, midi, music notation, nyu, propellerhead, thesis, visualization
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This is part of a research project I’m doing for my Psychology of Music class at NYU, thus the formal tone. The backbeat is a ubiquitous, almost defining feature of American popular and vernacular music. Clapping or snapping on the backbeats is generally considered by musicians to be more correct than doing so on the [...]
Filed in Dance, Music, Race and Identity, Science
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Also tagged africa, america, backbeat, drumming, funk, hip-hop, james brown, jazz, neuroscience, nyu, race, rhythm, rock, swing, syncopation
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Wednesday, March 27, 2013
For those of you curious about what I’m up to in grad school, this is the big thing. Pardon the stilted language, but, you know, academia. See the slideshow! Title The Drum Loop: a Self-Guided Tutorial System for Programming Dance Rhythms Introduction Dance music production software has never been more accessible. However, even “beginner-oriented” programs [...]
Filed in Autobio, Interfaces, Music, Music Teaching, Software, Video Games
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Also tagged design, drumming, hip-hop, interface, looping, nyu, programming, thesis, visualization
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Computers have revolutionized the composition, production and recording of music. However, they have not yet revolutionized music education. While a great deal of educational software exists, it mostly follows traditional teaching paradigms, offering ear training, flash cards and the like. Meanwhile, nearly all popular music is produced in part or in whole with software, yet [...]
Filed in Interfaces, Music, Music Teaching, Software, Technology
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Also tagged algorithmic composition, classical, Composition, computers, dj, figure, garageband, guitar, Hardware, hip-hop, Improvisation, interfaces, ipad, keybs, logic, looping, midi, morton subotnick, Music, music teaching, nyu, pro tools, propellerhead, reason, skeuomorphism, Software, synths, visualization
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Tuesday, October 30, 2012
For Paul Geluso’s Advanced Audio Production midterm, we were assigned to choose two tracks from his recommended listening list, and compare and contrast them sonically. I chose “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, both tracks nevertheless share a similar [...]
Filed in Copyright and Authorship, Key Musicians, Music, Recording, Sampling
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Also tagged brian eno, david byrne, digging the crates, eighties, electronica, funk, mixing, Music, nineties, nyu, paul geluso, production, Recording, Sampling, synths, the orb
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There’s no single standard method for notating pop, rock and dance songs. Some musicians write everything out in standard western notation; some don’t write anything down at all; many fall somewhere in between. One such compromise system in widespread use is the lead sheet: Other systems for song documentation include chord charts and the Nashville [...]
Filed in Composition, Music
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Also tagged ableton, beatles, carly rae jepsen, diana ross, disco, eric b & rakim, funk, hip-hop, michael jackson, nile rodgers, pop, rock, song structure, songwriting, visualization
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Update: see a more formal draft of my thesis proposal. For my NYU masters thesis in Music Technology, I’m designing a beginner-oriented music learning app for the iPad and similar devices. It will approach music the way I wish I had been taught it, and the way I’ve been teaching it to my private students. [...]
Filed in Composition, Interfaces, Music, Music Teaching, Software
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Also tagged drumming, electronica, fun, linkedin, music teaching, nyu, rhythm, sequencing, thesis
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Guberman, Daniel. Post-Fidelity: A New Age of Music Consumption and Technological Innovation. Journal of Popular Music Studies, Volume 23, Issue 4, pp 431–454 Guberman divides the history of recorded music into two distinct sections: the fidelity era, stretching from Thomas Edison through the invention of the compact disk, and the post-fidelity era, beginning with the [...]
Filed in Dance, Hardware, Internet, Music, Music Business, Recording, Technology
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Also tagged audiophiles, cell phones, hip-hop, linkedin, mp3, nyu, pop, Recording, sodcasting, technomusicology
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Saturday, February 25, 2012
Chapman, Dale. “That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production. Journal of the Society for American Music (2008) Volume 2, Number 2, pp. 155–175. Chapman examines the impact that Timbaland has had on popular music production, and what his significance is to the broader culture. While Timbaland himself is no longer the [...]
Filed in Key Musicians, Music, Race and Identity, Recording, Sampling, Software, Technology
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Also tagged anxiety, hip-hop, Internet, linkedin, missy elliot, pop, posthuman, production, technomusicology, timbaland
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Auto-tune was already a well-established studio tool by the time “Believe” came out, though it was unknown outside the music industry.
Filed in Music, Recording, Software
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Also tagged autotune, cher, electronica, Music, pop, posthuman, quora, Recording, Software
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