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Tag Archives: copyright

The Makossa diaspora

The first time I heard Manu Dibango’s “Soul Makossa” was courtesy of Motorcycle Guy, a prominent Brooklyn eccentric who drives around on a tricked-out motorcycle bedecked with lights and equipped with a powerful sound system. I encounter him every so often and he’s always bumping some good funk, soul or R&B. One night, he was [...]

Why do people like Girl Talk?

I don’t enjoy Girl Talk’s music all that much — I find it overwhelming, like watching someone flip channels on a TV. But I think he’s really important, and anyone who cares about music, technology, originality and ownership should be paying close attention. Adam Bossy raised an intriguing idea in his answer — describing an [...]

Why hasn’t the recording industry sued Girl Talk?

Last year, I spoke on a panel about sampling with a few academics and copyright lawyers. One of the panelists was Martin Schwimmer, a partner in a law firm practicing trademark and copyright law. A big part of his job is going after copyright infringers. Schwimmer assured the audience that no one will ever sue [...]

The Amen Break

If you had to name the most influential drummers in contemporary music, who would you pick? If you’re a rock fan, you might go with Ringo Starr, John Bonham, or Keith Moon. A jazz fan might talk about Max Roach, Elvin Jones or Tony Williams. You probably wouldn’t think to name Gregory Cylvester Coleman. He [...]

Jay-Z and Alan Lomax

Why does folk music collector Alan Lomax have a copyright interest in “Takeover” by Jay-Z? I learned the answer from Creative License: The Law And Culture Of Digital Sampling by Kembrew McLeod and Peter DiCola. It’s a companion book to the invaluable documentary Copyright Criminals. The story of Jay-Z and Alan Lomax isn’t quite as [...]

The Delicious debacle

It’s been an emotional week for me and my fellow Delicious lovers. The hysteria began with a slide leaked from an internal presentation at Yahoo, Delicious’ corporate parent, saying the service was among the ones slated to be “sunsetted.” After Techcrunch published the slide, the web lit up with the rumor that Delicious would be [...]

In praise of copying

We conventionally place a high value on originality in music. But it’s been my experience that the desire for originality gets in the way of making music that’s actually good. The closer you are to your influences, the more definite and truthful your work is. The key to quality music is to blend together an [...]

I’m speaking on a panel

Fan Wars: Copyright vs. Mash-ups and Fan Fiction Many mash-up artists seem unaware that their work implicates any rights at all, and copyright owners may be reluctant to alienate fans with copyright restrictions. Artists such as Girl Talk remain outspoken against copyright restrictions on mash-up culture. Individual copyright owners, such as the owners of Star [...]

The case for sampling

My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument for it. In case you’ve ever asked the same question, here’s my answer.

Copyright Criminals

This PBS Independent Lens documentary on sampling culture is a good one, and you can watch the whole thing on Youtube. Their resources and links page includes my Biz Markie blog post. Thanks Beautiful Decay for posting the videos. Part one: