Scientist Rids the World of the Evil Curse of the Vampires

We are talking about Jamaica’s remix culture in Musical Borrowing class and how it challenges Western concepts of authorship and ownership. The class is reading the opening chapters of Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power by Larisa Kingston Mann, which connects Jamaica’s ethos of communal musical creativity to its …

The Song Factory course

I have been teaching songwriting for a lot of years as a means to other ends: with my private guitar and production students, with my music tech students, with my music education students, with my music theory students. But this semester at The New School, I get to teach my first actual songwriting class whose …

Crosseyed And Painless

Since I’m stuck in my apartment with Covid for a while, looks like I have plenty of time to continue my Talking Heads series. Here’s one of their funkiest and most Afrobeat-sounding tracks. David Byrne always speak-sings to an extent, but this song has an actual rap verse (“Facts are simple and facts are straight…”) …

Take Me To The River

See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …

Brian Eno and the role of the producer

The meaning of the word “producer” has changed significantly over the history of recorded music. Before the 1960s, most record producers were businesspeople, responsible for signing checks and making sure the musicians and engineers did their jobs. Some producers took a creative role in choosing repertoire, arrangements and takes, but others were hands-off. As recording …

Making music with students’ found sounds

Every semester, I have my music technology students do a project using found sound. They record environmental sounds with their phones, and then they create tracks that incorporate those sounds somehow. The only rule is that they have to use at least one found sound–it doesn’t have to be their own. Otherwise, they can use …

Remixing Satie’s Gymnopédie No 1 with Ableton Live

Following up on Debussy’s “Claire De Lune”, I’ve taken on another of the greatest hits of the classical canon that my ear does not intuitively understand: Erik Satie’s “Gymnopédie No 1“.

Music for practicing scales

Are you trying to learn how to improvise with scales and patterns, but finding it hard to make yourself practice? Do yourself a favor, and practice over actual music. A student asked me to make him a playlist of harmonically static music that’s good for practicing over. I thought I would share it with everyone. …

In praise of the Reflex Re-Edit

The Reflex is a London-based French DJ and producer named Nicolas Laugier. He specializes in a particular kind of remix, the re-edit, in which you rework a song using only sounds found within the song itself. Some re-edits keep the original song more or less intact, and just give it a punchier mix, a more …