Thursday, November 1, 2012
Matthew D. Thibeault. Wisdom for Music Education From the Recording Studio. General Music Today, 20 October 2011. Stuart Wise, Janinka Greenwood and Niki Davis. Teachers’ Use of Digital Technology in Secondary Music Education: Illustrations of Changing Classrooms. British Journal of Music Education, Volume 28, Issue 2, July 2011, pp 117 - 134. Digital recording studios [...]
Filed in Composition, Music, Music Teaching, Recording, Software
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Also tagged Composition, education, Improvisation, Music, music notation, music teaching, nyu, psychology, Recording, Sampling, school, teaching, technomusicology
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Tuesday, October 30, 2012
For Paul Geluso’s Advanced Audio Production midterm, we were assigned to choose two tracks from his recommended listening list, and compare and contrast them sonically. I chose “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, both tracks nevertheless share a similar [...]
Filed in Copyright and Authorship, Key Musicians, Music, Recording, Sampling
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Also tagged dance, david byrne, digging the crates, eighties, electronica, funk, mixing, Music, nineties, nyu, paul geluso, production, Recording, Sampling, synths, the orb
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For my grad school thesis, I’m designing an intro-level music education app. I’m operating within the techno/hip-hop paradigm, with an Afrocentric rhythm-oriented approach. Electronic dance music production software had brought me much joy over the years, joy that I’m eager to spread to more people. I firmly believe that everyone is a potential musician, and [...]
Filed in Hardware, Interfaces, Software, Video Games
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Also tagged accordion, drumming, haptic feedback, interfaces, keybs, linkedin, midi, moog, morton subotnick, music notation, nyu, Video Games, visualization, xenakis
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This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
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Also tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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DJ BC is my favorite mashup artist right now. He deserves the nod just for Snoop’s Nu Shooz:
Filed in Autobio, Composition, Copyright and Authorship, Key Musicians, Music, Sampling
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Also tagged bangles, beatles, danger mouse, dj bc, dj earworm, hip-hop, jay-z, linkedin, mashups, mia, nu shooz, pop, Sampling, snoop dogg, soundcloud, wu-tang
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The other day Brian Eno was on NPR talking about his process. He likes to have people walk into the studio without any preconceived ideas or written out material. Then he has the musicians improvise within certain constraints. Usually these constraints are more about a mood or a vibe than a particular musical structure. After [...]
Filed in Autobio, Hardware, Improvisation, Interfaces, Music
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Also tagged buddhism, comedy, electronica, groovebox, guitar, Improvisation, intuition, meditation, revival revival, singing, upright citizens brigade
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My friend Adam, a non-musician but devoted music fan, asked me why sampling is good. He’s used to hearing me defend sampling from the accusation that it’s bad, but he’d never heard a positive argument for it. In case you’ve ever asked the same question, here’s my answer.
Filed in Composition, Copyright and Authorship, Improvisation, Interfaces, Music, Recording, Sampling
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Also tagged beyonce, chi-lites, copyright, disney, Evolution, fan art, fans, funky drummer, grateful dead, intellectual property, janet jackson, joni mitchell, kickstarter, lil wayne, manu dibango, memes, michael jackson, midi, monkeysphere, Music, public domain, remixes, Sampling, songwriting, swv
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Tuesday, January 26, 2010
Here’s a live rendition of Imogen Heap’s song “Hide And Seek.”
Filed in Hardware, Improvisation, Music, Recording
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Also tagged authenticity, autotune, electronica, harmony, imogen heap, Improvisation, interface, keybs, midi, Music, pop, remixes, Sampling, synths
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“Once In A Lifetime” by Talking Heads and Brian Eno is one of my favorite songs by anyone ever.
Filed in Composition, Hardware, Improvisation, Key Musicians, Music, Recording
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Also tagged attention, beatles, david byrne, Improvisation, meditation, mixing, philosophy, Recording, recursion, reggae, remixes, sly and the family stone, talking heads, tape, tape editing, time
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