The book has buttons along the side which you can press to hear little audio samples. They include each orchestra instrument playing a short Beethoven riff. All of the string instruments play the same “bum-bum-bum-BUMMM” so you can compare the sounds easily. All the winds play a different little phrase, and the brass another. The book itself is fine and all, but the thing that really hooked Milo is triggering the riffs one after another, Ableton-style, and singing merrily along.
I’m currently reading On Immunity by Eula Biss, which is so good you can’t believe it. Recommended if you’re interested in vaccination, health generally, being a parent, gender, race, class, the history of medicine, Greek mythology, vampires, or if you just need an example of how to parse out a difficult subject in a warm and elegant manner.
Also, if you have money and want to make a well targeted public health intervention, I recommend buying a bunch of copies and handing them out in front of the Park Slope Food Coop and the equivalent locations in Berkeley, Ann Arbor, Laurel Canyon, Portland, and wherever else well-educated professionals aren’t getting their kids vaccinated.
Gödel, Escher, Bach by Douglas Hofstadter describes and defines the concept of recursion, and discusses its applications in computer science, consciousness, art, music, biology and various other fields.
Recursion is crucial to writing computer programs in a compact, elegant way, but it also opens the door to infinite loops and irreconcilable logical contradictions.
Long before I got interested in electronic music, I was a fine arts guy. It bothers me that unauthorized appropriation of a music recording will get you sued, but visual artists who appropriate pop cultural materials get into museums and art history textbooks.
In ancient times and more traditional societies, there was never much importance attached to the concept of sole authorship or ownership of creative works. Widespread belief in the lone Byronic genius didn’t take hold until the eighteenth century in Europe. Duchamp signaled the beginning of the end of the Byronic genius with his readymades, like the infamous urinal, or this bicycle wheel: