This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Filed in Composition, Copyright and Authorship, Key Musicians, Music, Music Business, Politics, Recording, Sampling
|
Also tagged ableton, afrika bambaataa, amazing grace, amen break, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
|
Tuesday, February 1, 2011
A little while back I went to a screening and discussion at NYU of Blacking Up: Hip-Hop’s Remix of Race and Identity, a documentary about the wigger phenomenon by Robert Clift. I’m a very white person who has been heavily involved with “black” music over the years, like for example rapping an Ice Cube song [...]
Filed in Autobio, Music, Politics, Race and Identity
|
Also tagged al jolson, america, elvis presley, eminem, harry allen, hip-hop, hipster, james baldwin, paul mooney, Politics, race, snl, vanilla ice, wiggers
|
Thursday, September 30, 2010
In 1987 I remember having my ears grabbed by this thing on the radio called “Pump Up The Volume” by MARRS. Now that mashups are so common, this track doesn’t sound particularly remarkable. But in seventh grade it was startling to hear a house music track full of random samples. “Pump Up The Volume” was [...]
Filed in Key Musicians, Music, Sampling
|
Also tagged bobby byrd, digging the crates, dj hero, eagles, eighties, eric b & rakim, flow, fugees, hip-hop, james brown, jimi hendrix, marrs, mashups, nas, recursion, revival revival, sample maps, Sampling, stetsasonic, turntablism
|
This weekend my electronica band Revival Revival is doing some shows for the first time in many months. We’ll be doing a lot of what my non-electronic-musician friends consider to be cheating. The lead vocals and guitar will be live, as will some of the synths. Everything else will be canned, recordings played back from [...]
Filed in Autobio, Hardware, Improvisation, Music, Recording, Software
|
Also tagged electronica, guitar, Improvisation, lionel richie, michael jackson, midi, miles davis, pop, pro tools, reason, remixes, revival revival, songwriting
|
Thursday, February 11, 2010
When I was younger I was obsessed with authenticity in music. I wouldn’t even play electric guitar because it felt too easy, like cheating somehow. I expended a lot of energy and attention trying to figure out what is and isn’t authentic. Now, at the age of 34, I’ve officially given up. I doubt there’s [...]
Filed in Autobio, Music, Race and Identity
|
Also tagged acoustic, alicia keys, autotune, bebop, big chill, bill monroe, bluegrass, blues, electronica, Emotion, harmonica, herbie hancock, howlin wolf, jay-z, jazz, john coltrane, judaica, klezmer, led zeppelin, lipsynching, michael jackson, motown, nyc, purists, rnb, Sampling, soul, synths, thelonious monk
|
Tuesday, January 26, 2010
Here’s a live rendition of Imogen Heap’s song “Hide And Seek.”
Filed in Hardware, Improvisation, Music, Recording
|
Also tagged autotune, brian eno, electronica, harmony, imogen heap, Improvisation, interface, keybs, midi, Music, pop, remixes, Sampling, synths
|