Nas has a great flow full of powerful imagery, but what truly sets this track apart for me is DJ Premier’s production. It’s a complex web of samples and scratches that tie together so seamlessly as to be much greater than the sum of their parts. A lot of the samples are from other songs by Nas himself. Here’s a diagram of all the samples, click to see it bigger:

Primo tells the story of the track, including the serendipitous discovery of the killer orchestral string sample, in The 14 Deadly Secrets by DJ Premier:

A transcript:

The day I made this record, I was at my house in Long Island, and I found this old record that I was gonna throw away. It was a ten inch record from a Lutheran church, and it was pink with a black fish on it. And I was gonna throw it in the garbage, ‘cuz it didn’t look like it had anything hot on it. But somethin’ told me “before you throw it away, put it on the turntable, see if you can find something on it.

And I found that sample of “Nas Is Like”, and I broke it into 3 parts, scratched it live to the drumbeat that I already had, with the little chirpin’ birds and from there, “Nas Is Like” was born, man…

The birds twittering during the intro beat are from “Why” by Don Robertson. And here’s the Lutheran record Primo’s talking about, “What Child Is This.” Very unlikely hip-hop source material.

Most of the lines in the chorus come from Nas’ breakout hit “It Ain’t Hard to Tell.” The “life or death” line is at 0:32, the “Nas is like” that gives the song its title is at 0:44, and the “half man half amazin’” comes in a few seconds later. “My poetry’s deep, I never fell” is at 2:41.

“It Ain’t Hard To Tell” includes some hot samples of its own, including the synth intro from “Human Nature” by Michael Jackson and a saxophone riff from the much-sampled “NT” by Kool & The Gang (listen at 3:12.)

The other source for the “Nas Is Like” chorus is Nas’ “Street Dreams” from 1996. Samples are at 3:16 (“I’m a rebel) and 3:18 (“no doubt.”)

This track is also a composite of different memes – it quotes “Sweet Dreams” by Eurythmics and samples its beat from “Never Gonna Stop” by Linda Clifford.

Maybe the most inventive sample in “Nas Is Like” is a single syllable from “Nobody Beats the Biz” by Biz Markie. It’s the line “highly recogNIZED as the king of disco-in’” at 2:06. Out of context, “NIZED” sounds like Biz is saying “Nas.” That might be the single most creative sample usage in hip-hop history.

No wonder DJ Premier loves Biz — both like using a lot samples and allusions. Biz’s chorus is a play on a commercial jingle that’ll be familiar to anyone from the NYC region who grew up in the eighties (or has watched Seinfeld.) Biz also samples the drums from by “Hihache” by the Lafayette Afro Rock Band, “Fly Like An Eagle” by Steve Miller and, to heighten the self-reference even more, one of his own classic tracks, “The Def Fresh Crew” with Roxanne Shanté.

To add yet another layer of reference, there’s a bit in here where Biz quotes the jingle for Meow Mix! Biz is so much bigger than copyright law.

Nas does a lot of bragging in his rhymes. I learned excessive self-deprecation as a virtue from both my Jewish and middle American Protestant sides, so swagger feels deliciously subversive for me. There’s nothing more balling than sampling yourself in your own songs. Any sample-based song carries a dense web of associations, and I love the complexity that gets introduced when people sample themselves, or when they sample tracks containing samples, or best of all, both. “Nas Is Like” has a complex family tree, a set of allusions to allusions to allusions. This is as it should be. Fundamentally, all music is built of reshuffled bits of other music. Hip-hop makes this fact an explicit part of the music’s message, and that’s the biggest reason why I love it.

Hear a mashup of “Nas Is Like” with “It Ain’t Hard To Tell,” “Human Nature” and “Right Here” by SWV.

Human Nature Megamix by ethanhein

This is exactly the kind of golden age hip-hop song I love, a party-friendly beat and lyrics delivered with enough pissed off attitude to give it some bite. Dres and Mista Lawnge, I salute you.

The samples are particularly awesome. The upright bass loop comes from McCoy Tyner’s version of John Coltrane’s “Impressions” – it’s at 3:03 in the track.

It’s appropriate that Black Sheep should have wanted to sample “Impressions” because it too is based on samples, the analog kind. Coltrane borrowed his melody from a Morton Gould composition called “Pavane” and his chord progression from “So What” by Miles Davis.

The beat and accompanying guitar twang in “The Choice Is Yours” come from “Humpin’” by The Bar-Kays. The sample is right at the beginning.

“Big Sur Suite” by Johnny Hammond Smith supplies the organ lick, listen for it at the fifteen second mark.

(Tons of other people have sampled this track, including Dr Dre, Gang Starr, the Beastie Boys, DJ Krush, and, um, Insane Clown Posse.)

The most unexpected sample Black Sheep pulls out is the scratchy guitar hook. It comes from “Her Favorite Style” by Iron Butterfly, of all people. Iron Butterfly! Who knew they even had any songs aside from “In A Gadda Da Vida?” That’s some big-eared listening.

Finally, the James Brown-like grunt and “come on” is Sweet Linda Divine in her song “I’ll Say It Again” – listen at 1:52.

Talk about a track being greater than the sum of its parts. If handed all of these records, I’d enjoy some of them, be indifferent to others, and I very much doubt I’d come up with anything so devastatingly tight and seamless as “The Choice Is Yours.”

It seems like there would be a lot of songs that would sample this one, but I only turned a few from casual web searching:

• Fatman Scoop includes the “Engine engine number nine” part in his tune “Be Faithful.”
• Fatboy Slim quotes the chorus in “Weapon of Choice” ft Bootsy Collins.
• Dres does a verse over a sample of “The Choice Is Yours” on “Where Are They Now” by Nas.

There have to be others, right? Let me know in the comments. Doo-dah dipity.