This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Also filed in Composition, Copyright and Authorship, Key Musicians, Music, Politics, Recording, Sampling
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Tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
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Thomas Wuil Joo. A Contrarian View of Copyright: Hip-Hop, Sampling, and Semiotic Democracy. 44 CONN. L. REV. — (2012) As both a fan and a producer of sample-based music, I’m naturally sympathetic to Lawrence Lessig and the free-culture movement, a group of legal scholars advocating reforms to copyright law that would make it easier to [...]
Also filed in Copyright and Authorship, Music, Politics, Sampling
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Tagged beastie boys, biz markie, copyright, de la soul, DJ Kool Herc, george clinton, girl talk, linkedin, nyu, Politics, public enemy, Sampling
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Guberman, Daniel. Post-Fidelity: A New Age of Music Consumption and Technological Innovation. Journal of Popular Music Studies, Volume 23, Issue 4, pp 431–454 Guberman divides the history of recorded music into two distinct sections: the fidelity era, stretching from Thomas Edison through the invention of the compact disk, and the post-fidelity era, beginning with the [...]
Also filed in Dance, Hardware, Internet, Music, Recording, Technology
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Tagged audiophiles, cell phones, dance, hip-hop, linkedin, mp3, nyu, pop, Recording, sodcasting, technomusicology
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Wednesday, November 30, 2011
The trumpet player Nicholas Peyton wrote a blog post recently: On Why Jazz Isn’t Cool Anymore. It’s a must-read for anyone interested in the future of the art form. If jazz is ever going to be popular again, it needs to regain its cool. Jazz was popular when it was intimately connected to popular culture. [...]
Sunday, September 25, 2011
Last year, I spoke on a panel about sampling with a few academics and copyright lawyers. One of the panelists was Martin Schwimmer, a partner in a law firm practicing trademark and copyright law. A big part of his job is going after copyright infringers. Schwimmer assured the audience that no one will ever sue [...]
Why does folk music collector Alan Lomax have a copyright interest in “Takeover” by Jay-Z? I learned the answer from Creative License: The Law And Culture Of Digital Sampling by Kembrew McLeod and Peter DiCola. It’s a companion book to the invaluable documentary Copyright Criminals. The story of Jay-Z and Alan Lomax isn’t quite as [...]
Also filed in Composition, Copyright and Authorship, Music, Politics, Recording, Sampling
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Tagged alan lomax, blues, chain gangs, copyright, digging the crates, folk, funk, grand funk railroad, hip-hop, jay-z, krs-one, rock, Sampling, the animals
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Thursday, August 18, 2011
The odds of your making a living performing your own material are small, vanishingly small. But there are a lot of ways to make a living in music. If you do succeed at the singer-songwriter path using the tips listed in the other answers, mazel tov. In the likelihood that the singer-songwriter-musician thing doesn’t pay [...]
I’m mostly glad to see the album go the way of the buggy whip. It’s rare that a band can get two or three decent songs together, much less eleven or twelve sequenced in a thoughtful way. Not everything that gets released is Sgt Pepper’s Lonely Heart’s Club Band. I’m relieved to be able to [...]
Thursday, February 10, 2011
As part of New York Social Media Week, I attended a panel entitled “The Beautiful Dark Twisted Fantasy of Social Media as Music’s Savior.” It was first thing in the morning, which really asks a lot from the music hipsters. I would normally have just live-tweeted this thing, but the wi-fi in the place was [...]
Also filed in Music, Social Media
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Tagged ciara, facebook, ice-t, kanye west, linkedin, marketing, Music Business, Social Media, soundcloud, twitter, youtube
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Sunday, November 28, 2010
We conventionally place a high value on originality in music. But it’s been my experience that the desire for originality gets in the way of making music that’s actually good. The closer you are to your influences, the more definite and truthful your work is. The key to quality music is to blend together an [...]
Also filed in Composition, Copyright and Authorship, Evolution, Music, Politics, Recording, Sampling
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Tagged academia, beach boys, beatles, biology, biz markie, chuck berry, copyright, creative commons, Evolution, hall and oates, led zeppelin, marcus boon, memes, michael jackson, Sampling
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