I’ve toyed around with several iPhone and iPad music apps. Many are intriguing and fun, but few have inspired me into making “real” music. In preparation for the next Disquiet Junto project, I downloaded Nodebeat and tried some improvisation. I like the result: The app combines randomness and control in an intriguing way. I [...]
Also filed in Composition, Hardware, Improvisation, Interfaces, Software, Video Games
|
Tagged animoog, Composition, electronica, figure, Improvisation, ios, ipad, Music, nodebeat, random, touch
|
The seminar I’ve been taking with Morton Subotnick is sadly drawing to a close. As part of the end of the semester, we were invited to Professor Subotnick’s home studio, a few blocks from NYU, to get a demonstration of the setup he uses in performances.
Also filed in Composition, Hardware, Improvisation, Interfaces, Key Musicians, Sampling, Software
|
Tagged ableton, avant-garde, buchla, classical, Composition, electronica, experimental, Improvisation, midi, morton subotnick, nyu
|
This post is longer and more formal than usual because it was my term paper for a class in the NYU Music Technology Program. Questions of authorship, ownership and originality surround all forms of music (and, indeed, all creative undertakings.) Nowhere are these questions more acute or more challenging than in digital music, where it [...]
Also filed in Composition, Copyright and Authorship, Key Musicians, Music Business, Politics, Recording, Sampling
|
Tagged ableton, afrika bambaataa, amazing grace, amen break, authenticity, bach, beatles, beyonce, biz markie, brian eno, classical, compulsory licensing, copyright, danger mouse, david shields, dj, dj earworm, dj premier, double dee and steinski, entropy, Evolution, fairlight cmi, fugees, girl talk, grandmaster flash, harold bloom, hip-hop, informationtheory, jay-z, jesse walker, john coltrane, jonathan lethem, linkedin, looping, marcus boon, mashups, memes, midi, missy elliot, mohawks, nas, nyu, originality, plato, plunderphonics, questlove, reason, Recording, remixes, richard dawkins, Sampling, sasha frere-jones, stravinsky, susan blackmore, theodor adorno, walter benjamin, william gibson
|
Thomas Wuil Joo. A Contrarian View of Copyright: Hip-Hop, Sampling, and Semiotic Democracy. 44 CONN. L. REV. — (2012) As both a fan and a producer of sample-based music, I’m naturally sympathetic to Lawrence Lessig and the free-culture movement, a group of legal scholars advocating reforms to copyright law that would make it easier to [...]
Also filed in Copyright and Authorship, Music Business, Politics, Sampling
|
Tagged beastie boys, biz markie, copyright, de la soul, DJ Kool Herc, george clinton, girl talk, linkedin, nyu, Politics, public enemy, Sampling
|
Here’s an email conversation I’ve been having with my friend Greg Brown about Kanye West’s recent albums. Greg is a classical composer and performer with a much more avant-garde sensibility than mine. The exchange is lightly edited for clarity. Greg: I’ve been listening to 808s and Heartbreak and Twisted Fantasy. I’m really enjoying them. Far [...]
Also filed in Emotion, Key Musicians, Recording, Software
|
Tagged 808, 808s and heartbreak, autotune, classical, distortion, fiona apple, frank ocean, hip-hop, jay-z, john adams, kanye west, pop, posthuman, rnb, Sampling, singing, soul, watch the throne
|
Steven R. Livingstone, Ralf Muhlberger, Andrew R. Brown, and William F. Thompson. Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. Computer Music Journal, 34:1, pp. 41–64, Spring 2010. The authors present CMERS, “a Computational Music Emotion Rule System for the real-time control of musical emotion that modifies features at both the [...]
A complete list of countries from which people have listened to my SoundCloud tracks, in order of number of listens: United States, United Kingdom, Germany, France, Canada, Australia, Japan, Brazil, Spain, Netherlands, Italy, Mexico, Russian Federation, Belgium, Poland, Switzerland, Portugal, Denmark, Argentina, Sweden, Turkey, India, Georgia, Chile, New Zealand, Greece, Ireland, Hungary, Colombia, Romania, Czech [...]
Alan Blackwell and Nick Collins. The Programming Language as a Musical Instrument. In P. Romero, J. Good, E. Acosta Chaparro & S. Bryant (Eds). Proc. PPIG 17, pp. 120-130. Any musician who wants to be competent with digital production tools has to take on qualities of a programmer. Music notation is itself a “programming language” [...]
Joshua Pablo Rosenstock. Free Play Meets Gameplay: iGotBand, a Video Game for Improvisers. Leonardo Music Journal, Vol. 20, pp. 11–15, 2010. Guitar Hero, Rock Band and games like them have done a wonderful service to non-musicians. The games give a good sense of what playing an instrument in a band is like. The interface is [...]
Also filed in Composition, Improvisation, Interfaces, Software, Video Games
|
Tagged games, guitar hero, Improvisation, linkedin, nyu, play, rock band, Video Games
|
Malawey, Victoria. Harmonic Stasis and Oscillation in Björk’s Medúlla. Music Theory Online, Volume 16, Number 1, January 2010. The fundamental unit of electronic popular music is the loop. This puts it at odds with the Western art music tradition, which typically favors linear structures with a narrative arc. Repetition has mostly appeared in classical music [...]
Also filed in Composition, Emotion, Recording, Sampling
|
Tagged africa, attention, audio editing, bjork, Composition, linkedin, looping, medulla, nyu, repetition, singing
|